Organ and Keyboard Music of the Imperial Court Chapel Vienna
1500-1700
Expected to ship in about a week.
- Editor: Siegbert Rampe
- Instrumentation: Organ, Piano, Harpsichord
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 63
- Urtext / Critical Edition
Description
Austria 's imperial court chapel was active far beyond the confines of Vienna . It developed a rich musical tradition of its own, with composers of the stature of Heinrich Isaac , Jacob Hassler , Johann Jacob Froberger , and Johann Heinrich Schmelzer .
This volume consists entirely of première publications from the œuvre of composers working at the imperial court during the fifteenth and sixteenth centuries, including the complete keyboard output of Giovanni Valentini and Johann Heinrich Schmelzer and a Toccata 2 di toni in g ( FbWV 130) by Johann Jacob Froberger.
Altogether it contains twenty-two compositions with a detailed preface, many facsimiles, and a critical commentary. The pieces range from easy to moderately difficult and are equally suitable for use in church services or concert performance.
Contents:
- Isaac, Heinrich | In pace in idipsum in G Major
- Buchner, Ioannes | Expecta ung pauca in F Major
- Bodenstein, Thomas | Canzona in G Minor
- Bodenstein, Thomas | Ballet. in D Minor
- Hassler, Jakob | Fantasia Noni toni in A Minor
- Strauß, Christoph | Canzona in C Major
- Valentini, Giovanni | Canzona A. 6 in D Minor
- Valentini, Giovanni | Canzona A. 6 Vo[ci] in G Major
- Valentini, Giovanni | Canzona A. 6 in G Minor
- Valentini, Giovanni | Canzona in G Major
- Valentini, Giovanni | Canzona Le bon. â 5 V [oci]: In D Minor
- Froberger, Johann Jacob | Toccata 2di tonj in G Minor FbWV 130
- Simonelli, Carlo Fernando | Toccata in A Minor
- Schmelzer, Johann Heinrich | Partita in D Minor
- Schmelzer, Johann Heinrich | Partita in E Minor
- Richter, Ferdinand Tobias | Partita in D Minor
- Richter, Ferdinand Tobias | Partita in D Major
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.