Gluck: French Operatic Arias for Soprano & Mezzo-Soprano
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- Composer: Christoph Willibald Gluck (1714-1787)
- Instrumentation (this edition): Piano Reduction, Soprano / Mezzo Soprano
- Originally for: Opera
- Work Language: French
- ISMN:
- Size: 8.3 x 11.7 inches
- Pages: 194
Description
The edition contains French arias for soprano or mezzo-soprano from operas composed by opera reformer Christoph Willibald Gluck for the Paris Opera. Each edition includes an informative text section containing a Foreword (Fr/Eng), a brief account of the dramatic situation as well as a literal English translation of every aria.
Works:
- "Armez-vous d'un noble courage" from Iphigénie en Aulide, Wq. 40
- "Hélas! mon coeur sensible et tendre" from Iphigénie en Aulide, Wq. 40
- "Par la crainte et par l'espérance" from Iphigénie en Aulide, Wq. 40
- "Par un père cruel à la mort condamnée" from Iphigénie en Aulide, Wq. 40
- "Adieu: conservez dans votre âme" from Iphigénie en Aulide, Wq. 40
- "Jupiter, lance la foudre!" from Iphigénie en Aulide, Wq. 40
- "Fortune ennemie" from Orphée et Eurydice (French Version), Wq. 41
- "Rien n'égale mon désespoir" from Alceste (French Version), Wq. 44
- "Non, ce n'est point un sacrifice" from Alceste (French Version), Wq. 44
- "Divinités du Styx, ministres de la mort" from Alceste (French Version), Wq. 44
- "Ô dieux! soutenez mon courage" from Alceste (French Version), Wq. 44
- "Je n'ai jamais chéri la vie" from Alceste (French Version), Wq. 44
- "Ah! malgré moi, mon faible cœur partage" from Alceste (French Version), Wq. 44
- "Ah! divinités implacables!" from Alceste (French Version), Wq. 44
- "Enfin, il est en ma puissance " from Armide, Wq. 45
- "Ah! si la liberté me doit être ravie" from Armide, Wq. 45
- "Venez, venez, Haine implacable!" from Armide, Wq. 45
- "Le perfide Renaud me fuit!" from Armide, Wq. 45
- "Ô toi, qui prolongeas mes jours" from Iphigénie en Tauride (French Version), Wq. 46
- "Ô malheureuse Iphigénie!" from Iphigénie en Tauride (French Version), Wq. 46
- "D'une image, hélas! trop chérie" from Iphigénie en Tauride (French Version), Wq. 46
- "Je t'implore et je tremble, ô déesse implacable!" from Iphigénie en Tauride (French Version), Wq. 46
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.