Buxtehude: Chorale Settings - Part 1 (BuxWV 177-206)
Complete Organ Works Volume 4
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- Composer: Dieterich Buxtehude (1637-1707)
- Editor: Christoph Albrecht
- Instrumentation: Organ
- ISMN:
- Size: 12.0 x 9.4 inches
- Pages: 89
Works:
- Ach Gott and Herr, BuxWV 177
- Ach Herr, mich armen Sünder, BuxWV 178
- Auf meinen lieben Gott, BuxWV 179
- Christ, unser Herr, zum Jordan kam, BuxWV 180
- Danket dem Herren, BuxWV 181
- Der Tag, der ist so freudenreich, BuxWV 182
- Durch Adams Fall ist ganz verderbt, BuxWV 183
- Ein feste Burg ist unser Gott, BuxWV 184
- Erhalt uns, Herr, bei deinem Wort, BuxWV 185
- Es ist das Heil uns kommen her, BuxWV 186
- Es spricht der Unweisen Mund wohl, BuxWV 187
- Gelobet seist du, Jesu Christ, BuxWV 188
- Gelobet seist du, Jesu Christ, BuxWV 189
- Gott der Vater wohn uns bei, BuxWV 190
- Herr Christ, der einig Gottes Sohn, BuxWV 191
- Herr Christ, der einig Gottes Sohn, BuxWV 192
- Herr Jesu Christ, ich weiß gar wohl, BuxWV 193
- Ich dank dir, lieber Herre, BuxWV 194
- Ich dank dir schon durch deinen Sohn, BuxWV 195
- Ich ruf zu dir, Herr Jesu Christ, BuxWV 196
- In dulci jubilo, BuxWV 197
- Jesus Christus, unser Heiland, der den Tod, BuxWV 198
- Komm, Heiliger Geist, Herre Gott, BuxWV 199
- Komm, Heiliger Geist, Herre Gott, BuxWV 200
- Kommt her zu mir, spricht Gottes Sohn, BuxWV 201
- Lobt Gott, ihr Christen allzugleich, BuxWV 202
- Magnificat primi toni, BuxWV 203
- Magnificat primi toni, BuxWV 204
- Magnificat primi toni, BuxWV 205
- Mensch, willt du leben seliglich, BuxWV 206
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.