Piano Album: Bärenreiter Contemporary Composers
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- Composers: Peter Michael Hamel (1947-), Vadim Karassikov (1972-), Andrea Lorenzo Scartazzini (1954-), Ulrich Stranz (1946-2004), Heinz Winbeck (1946-2019), Manfred Trojahn (1945-), Beat Furrer (1954-), Matthias Pintscher (1971-), Giselher Klebe (1925-2009), Miroslav Srnka (1975-), Michael Töpel (1958-), Ernst Krenek (1900-1991), Rudolf Kelterborn (1931-2021), Jean Barraqué, Charlotte Seither (1965-), Thomas Daniel Schlee (1957-), Philipp Maintz (1977-), Günter Bialas (1907-1995), L'ubica Čekovská (1975-)
- Editor: Michael Töpel (1958-)
- Instrumentation: Piano
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 103
Description
Awarded with the German Music Edition Prize "Best Edition" 2010!
This Piano Album offers a wealth of discoveries and stimulating pieces from twenty composers of the 20th and 21st centuries. These diverse pieces, by composers working in quite different styles, impressively demonstrate how topical and inspiring the piano is for contemporary composers. Their works invite you on a voyage of discovery – using the piano's 88 keys and occasionally its inside workings!
Players experience the anatomy of an individual note, grasp what "touch" means, and experience the piano as a continent of undreamt-of musical possibilities. The pieces which result from improvisation encourage experimentation in the area of spontaneous music-making. Many of the works included here were composed recently especially for this unusual album, or are published for the first time. The cover has been designed by the artist "rosalie", reflecting the lively and varied contents. The collection includes a broad spectrum of repertoire ranging from easy to more demanding works.
Works:
- Barraqué: Retour
- Bialas: Two Intermezzos
- Čekovská: famisi
- Furrer: Two Easy Piano Pieces
- Hamel: "...es werden nur Steine bleiben."
- Karassikov: four short pieces
- Kelterborn: Piano Piece 2 "a una voce - a due mani"
- Klebe: Theme and 39 Variations
- Krenek: Prélude
- Maintz: achtstück. piano piece No. 1
- Pintscher: on a clear day
- Scartazzini: abracci auguri
- Schlee: Silberne Schnur
- Seither: Sous mes yeux
- Srnka: ta vetsí
- Stranz: Meditation
- Töpel: Canzonetta
- Trojahn: Prélude No. 1
- Trojahn: Nocturne. déjà là, printanier crépuscule
- Winbeck: In nomine Leon(h)ardi
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.