Szathmáry: Rubik's Cube
Expected to ship in about a week.
- Composer: Zsigmond Szathmáry (1939-)
- Instrumentation: Organ
- Work: Rubik's Cube
- ISMN:
- Size: 12.0 x 9.4 inches
- Pages: 13
Description
"Rubik's Cube" was commissioned for the competition held by the Felix University, Berlin, in 2023.
The composer about his work: "Everyone knows the Rubik's Cube, which Ernö Rubik invented in 1974. The small colored cubes should be brought into a certain order by rotating them. My small cubes here are the numerous, sometimes very short motifs, which are very different rhythmically, in terms of colour and musical expression. I have tried to string these entities together, to compose them in such a way that there is always an organic musical development which does not come to a standstill and ultimately to a dead end - as can unfortunately easily happen when trying to solve the Rubik's cube. What is desired is a very colorful registration and a powerful interpretation."
Rhythmic variety and a wide range of expression characterize this energetic piece, which lasts approximately 6 minutes and consists of three parts entitled: "Allegro con moto", "Lento" and "Agitato, molto irato". with the help of precise performance markings, all articulatory shadings from staccato to accents to singing legato are called for and result in a contrasting whole.
Numbers from 1 to 13 entered by the composer on the last page represent a segment of the Fibonacci sequence. These numbers form a structuring element.
The edition contains the registration specifications which correspond to the sound image desired by the composer on the organ of the Kaiser-Wilhelm-Gedächtnis-Kirche in Berlin. When the work is played on organs with other registration possibilities, new sound colour spectra open up.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.