Rameau: Operatic Arias for Tenor - Volume 1
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- Composer: Jean-Philippe Rameau (1683-1764)
- Format: Vocal Score
- Instrumentation (this edition): Piano Reduction, Tenor
- Originally for: Opera
- Work Language: French
- ISMN:
- Size: 8.3 x 11.7 inches
- Pages: 170
- Urtext / Critical Edition
Description
This volume contains half of the great monologues, arias and ariettas which Rameau composed for "haute-contre" and which are sung by high tenors today.
Works:
- Aigle naissant, lève les yeux from Acante et Céphise, RCT 29
- Qu'Anacréon dans ce séjour from Anacréon, RCT 30
- Quel bonheur règne dans mon âme! from Castor et Pollux, RCT 32
- Éclatez, fières trompettes from Castor et Pollux, RCT 32
- Séjour de l'éternelle paix from Castor et Pollux, RCT 32
- Dieu de l'amitié, sous tes lois from Daphnis et Églé, RCT 34
- Oiseaux, chantez from Daphnis et Églé, RCT 34
- Hâtons-nous; courons à la gloire from Dardanus, RCT 35
- Lieux funestes, où tout respire from Dardanus, RCT 35
- Amour, quand tu veux nous surprendre from Dardanus, RCT 35
- Triomphe, Amour, un jour si beau from Dardanus, RCT 35
- Volez,volez à la victoire from Les Fêtes de l'Hymen et de l'Amour, RCT 38
- Le bonheur de la Terre est le bien où j'aspire from Les Fêtes de l'Hymen et de l'Amour, RCT 38
- Ma bergère fuyait l'amour from Les Fêtes de l'Hymen et de l'Amour, RCT 38
- Amour, charmant vainqueur, reçois dans ces beaux l from Les Fêtes de Polymnie, RCT 39
- Tu veux avoir la préférence from Les fêtes d'Hébé, RCT 41
- L'objet qui règne dans mon âme from Les fêtes d'Hébé, RCT 41
- Ranimez-vous avec ma flamme from La Guirlande, RCT 42
- Plaisirs, doux vainqueurs from Hippolyte et Aricie, RCT 43
- Ah! faut-il en un jour perdre tout ce que j'aime! from Hippolyte et Aricie, RCT 43
- Hâtez-vous de vous embarquer from Les Indes galantes, RCT 44
- Je vole, où m'appelle ton choix from Naïs, RCT 49
- Je ne suis plus ce dieu volage from Naïs, RCT 49
- Au dieu des mers voulez-vous plaire? from Naïs, RCT 49
- La jeune nymphe que j'adore from Naïs, RCT 49
- Cessez de ravager la terre from Naïs, RCT 49
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.