Muffat/Ebner: Complete Works for Keyboard (Organ) - Volume 1
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- Composers: Georg Muffat (1653-1704), Wolfgang Ebner (1612-1665)
- Editor: Siegbert Rampe
- Instrumentation: Keyboard
- ISMN:
- Size: 12.0 x 9.4 inches
- Pages: 69
- Urtext / Critical Edition
Description
That the clavier music of a composer of Muffat's stature should remain unpublished, apart from three pieces, is a mystery of musical scholarship. Muffat was, after all, a precursor of Johann Sebastian Bach on a par with Buxtehude, Pachelbel and the Krieger brothers. This edition contains the previously unpublished works in Codex Xiv 743 from thin in E Minorite Abbey in Vienna, as well as the three harpsichord pieces from Apparatus Musico-Organisticus that have already appeared in print.
Ebner was an organist and then was chapel-master at St. Stephens in Vienna at the same time as Johann Jacob Froberger. Later he became the teacher of the Habsburg Emperor Leopold I. A master of strict counterpoint, his music surpassed even Frobergers in virtuosity.
Contents:
Georg Muffat, Works of certain authenticity, part 1:
Partita in C Major
Fragment Gique in G Major
Partita in D Minor
Fragment Partita in D Minor
George Muffat, works of uncertain authenticity, part 1:
Partita in C Major
Wolfgang Ebner, Works of certain authenticity, part 1:
Toccata Tertij Toni in A Minor
Capriccio Sopra L'aria Pergamasco in G Major
Partite Sopra L'Aria Favorita 20 in G Major
Wofgang Ebner, works of uncertain authenticity, part 1:
56 Versets in the eight Church Modes
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Hardbound. Generally either linen-covered or half-leather.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.