Mozart: Requiem, K. 626 (completed by Ostrzyga)
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- Composer: Wolfgang Amadeus Mozart (1756-1791)
- Editor: Michael Ostrzyga
- Instrumentation (this edition): Piano Reduction, SATB Choir
- Originally for: SATB Choir, Orchestra
- Work: Requiem, K. 626
- Work Language: Latin
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 151
- Urtext / Critical Edition
Description
This publication offers a source-critical edition of Mozart's fragmentary "Requiem" as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart's idiom taking into account historical additions by Süßmayr and Eybler.
When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart's church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the "Requiem" fragment, is taken into account in those sections requiring completion or fresh composition.
At two points readers may choose between alternative movements (or sections), since proceeding from Süßmayr's historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart's intentions: the "Lacrimosa" may end with or without "Amen" fugue, and the "Sanctus" may begin in the customary in D Major or in D Minor. Above all, this makes it possible to retain the B-flat Major "Hosanna" from Süßmayr's autograph, a movement which, until now, has not been appreciated as compositionally flawless.
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Paperback
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Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
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In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Mozart: Requiem, K. 626 (completed by Ostrzyga)
