Janáček: Female Choruses
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- Composer: Leoš Janáček (1854-1928)
- Editor: Jirí Zahrádka
- Format: Full Score
- Instrumentation: Female Choir
- Binding: Hardcover
- Work Languages: Czech, English, German
- ISMN:
- Size: 10.7 x 13.5 inches
- Pages: 121
- Urtext / Critical Edition
Description
Janáček devoted a large part of his oeuvre to choral music, though the compositions in question are mostly for male chorus. This was due to his activities as a choirmaster and, to a certain extent, also the performance possibilities in Brno in his days with the excellent Moravian Teachers' Choral Society. However, with the men drafted to fight in the Great War, the female Moravian Women Teachers' Choir gradually began to give separate performances, and it is to this ensemble that Janáček turned his attention at the beginning of the wartime year of 1916.
It was the only time in his life when he composed for female chorus. in January he wrote Wolf-tracks according to the poem by Jaroslav Vrchlický, which was followed in February by the choral cycle with flute and harp accompaniment Songs of Hradcany from the eponymous collection of František Serafínský Procházka and the chorus Caspar Rutsky from the same poetry collection.
Besides two volumes of male choruses a cappella, the complete critical edition now also includes a volume with female choruses. Its contents were taken from the original 2002 Editio Janáček edition based on a licensing agreement.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Janáček: Female Choruses
