Handel: Aria Album - Male Roles for High Voice
In stock and typically ships within 1 business day.
- Editor: Donald Burrows
- Format: Vocal Score
- Work Language: Italian
- ISMN: 9790006537280
- Size: 9.1 x 11.8 inches
- Pages: 79
- Urtext / Critical Edition
Italian opera was at the centre of Handel's output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel's operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressive forms of expression such as the arias, but also employ contrapuntal elements as found in Handel's chamber music.
Cara sposa, amante cara (Rinaldo, "Rinaldo")
Di speranza bel raggio - Venti, turbini (Rinaldo, "Rinaldo")
Or la tromba (Rinaldo, "Rinaldo")
Cara sposa, amato bene (Radamisto, "Radamisto")
Domerò la tua fierezza (Tolomeo, "Giulio Cesare in Egitto")
Vuò dar pace (Tamerlano, "Tamerlano")
A dispetto (Tamerlano, "Tamerlano")
Pompe vane di morte - Dove sei, amato bene? (Bertarido, "Rodelinda, Regina de' Longobardi")
Vivi, tiranno (Bertarido, "Rodelinda, Regina de' Longobardi")
Alla tenda reale - Non disperi peregrino (Lotario, "Lotario")
Oh! felice mio core! - Con l'ali di costanza (Ariodante, "Ariodante")
E vivo ancora? - Scherza, infida (Ariodante, "Ariodante")
Dopo notte atra e funesta (Ariodante, "Ariodante")
Verdi prati (Ruggiero, "Alcina")
Frondi tenere - Ombra mai fu (Serse, "Serse")
Se bramate d'amar chi vi sdegna (Serse, "Serse")
Sorge nell'alma mia (Tirinto, "Imeneo")
Pieno il core (Tirinto, "Imeneo")
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