Fauré: Pavane, N 100a, Op. 50
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- Composer: Gabriel Fauré (1845-1924)
- Editor: Robin Tait
- Instrumentation: Orchestra
- Work: Pavane, Op. 50
- ISMN:
- Size: 9.6 x 12.2 inches
- Pages: 10
- Urtext / Critical Edition
Description
Bärenreiter's scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane, Op. 50, has been edited by Robin Tait as part of the "Complete Works of Gabriel Fauré". The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version. This Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the "Pavane's" original orchestral version which will surely enhance symphonic concert programmes everywhere. - First edition of the original version for orchestra - Urtext based on the "Complete Works of Gabriel Fauré" - Large format orchestral parts (25.5 x 32.5 cm)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
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Paperback
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Performance / Playing Score
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Set of Parts
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Solo Part with Piano Reduction
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Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
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Wind Set
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Fauré: Pavane, N 100a, Op. 50
