Christmas for Organ - Volume II
Expected to ship in 1-2 weeks.
- Editor: Andreas Rockstroh
- Instrumentation: Organ
- ISMN:
- Size: 11.8 x 9.1 inches
- Pages: 97
Description
Following on from the successful first volume, we are now publishing a second volume of organ music for the Christmas festive period. It contains well-known pieces as well as works which have been unjustly forgotten; both free-standing compositions and works for use in the liturgy. The repertoire is mainly from the 19th century. of technically easy to medium difficulty, the works will appeal to both professional and amateur organists. An attractive publication for Christmas concerts, recitals and services at Advent and Christmas.
Contents:
- Vorwort
- Advent:
- Karl Wolfrum: Choralvorspiel aus, Op. 19: "Macht hoch die Tür"
- Alfred Grundmann: Aus "Zehn längere Choralvorspiele", Op. 2: "Macht hoch die Tür"
- Karl Wolfrum: Choralvorspiel aus, Op. 17: "Nun komm, der Heiden Heiland"
- Theophil Forchhammer: Aus "Zehn Nachspiele über Choralmotive", Op. 30: "Nun komm, der Heiden Heiland"
- Arnold Joseph Monar: Aus "20 Orgelstücke über deutsche Kirchenlieder", Op. 25: "O Heiland, reiß die Himmel auf"
- Weihnachten:
- Carl Piutti: Aus "Fünf Charakterstücke", Op. 6: "Auf Weihnacht"
- Arnold Joseph Monar: Choralvorspiel über "Es ist ein Ros entsprungen"
- Adalbert Überlée: Aus der Orgelsonate in F Major: Pastorale
- Karl Wolfrum: Choralvorspiel aus, Op. 18: "Fröhlich soll mein Herze springen"
- Wilhelm Rudnick: Pastorale aus, Op. 142
- Paul Blumenthal: Choralvorspiel 89, No. 3: "Gelobet seist du, Jesu Christ"
- Alfred Grundmann: Choralvorspiel, Op. 2: "Gelobet seist du, Jesu Christ"
- Georg Riemenschneider: Aus "Orgelstücke", Op. 51: "An der Krippe"
- Aus "Der Cantus firmus auf der Orgel", Op. 22:" Ich steh an deiner Krippen hier"
- Heinrich von Herzogenberg: "Hirtenmusik" aus dem Kirchen-Oratorium "Die Geburt Christi", Op. 90
- Karl Wolfrum: Choralvorspiel aus, Op. 19: "Kommt and lasst uns Christus ehren"
- Gustav Merk: Festvorspiel aus, Op. 4 über "Lobt Gott, ihr Christen alle gleich"
- Wilhelm Volckmar: Aus "Vorspiele für die Orgel", Op. 205: "Lobt Gott, ihr Christen alle gleich"
- Albert Therig: Aus "Präludienbuch", Op. 9: "Nun singet and seid froh"
- Arnold Joseph Monar: Aus "12 Festvorspiele", Trio über "Nun singet and seid froh"
- Johannes Diebold: Fantasie and Nachspiel, Op. 43 über "O du fröhliche"
- Gustav Merk: Choralvorspiel über "O du fröhliche"
- Willy Herrmann: Festpostludium über "O du fröhliche"
- Paul Blumenthal: Aus "Neun Festvorspiele", Op. 89: "Vom Himmel hoch, da komm ich her"
- Albrecht Hänlein: Weihnachtspastorale über "Vom Himmel hoch, da komm ich her"
- Imannuel Faißt: Fugue über "Vom Himmel hoch, da komm ich her"
- Johannes Plag: Trio über "Zu Bethlehem geboren"
- Johann Georg Herzog: Weihnachtssonate 62, No. 2, 1. Satz
- Biographische Notizen
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Digital Download
Digital, PDF version of the score.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
