Bach: Arias for Soprano
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- Composer: Johann Sebastian Bach (1685-1750)
- Editor: Charlotte Lehmann
- Format: Vocal Score
- Instrumentation: Piano Reduction, Soprano
- Work Languages: English, German
- ISMN:
- Size: 9.1 x 11.8 inches
- Urtext / Critical Edition
Description
Includes detailed booklet in English
- Erfüllet, ihr himmlischen, göttlichen Flammen. Aus Kantate BWV 1, No. 3 "Wie schön leuchtet der Morgenstern"
- Seufzer, Tränen, Kummer, Not. Aus Kantate BWV 21, No. 3 "Ich hatte viel Bekümmernis"
- Ach! Dieser süße Trost / Ich wünsche mir den Tod. Rezitativo e Aria aus Kantate BWV 57, No. 2 and 3 "Selig ist der Mann"
- Mein gläubiges Herze.Aus Kantate BWV 68, No. 2 "Also hat Gott die Welt geliebt"
- Heil and Segen soll and muss zu aller Zeit. Aus Kantate BWV 120, No. 4 "Gott, man lobet dich in der Stille"
- Die Seele ruht in Jesu Händen. Aus Kantate BWV 127, No. 3 "Herr Jesu Christ, wahr' Mensch and Gott"
- Gottes Engel weichen nie. Aus Kantate BWV 149, No. 4 "Man singet mit Freuden vom Sieg"
- Weichet nur, betrübte Schatten. Aus Kantate BWV202, No. 1 "Weichet nur betrübte Schatten"
- Was mir behagt / Jagen ist die Lust der Götter. Recitativo e Aria aus Kantate BWV 208, 1 and 2 "Was mir behagt, ist nur die muntre Jagd"
- Schafe können sicher weiden. Aus Kantate BWV 208, No. 9 "Was mir behagt, ist nur die muntre Jagd"
- Ei! wie schmeckt der Coffee süße. Aus Kantate BWV 211, No. 4 "Schweigt stille, plaudert nicht" Instrumentation:
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.