The Orchestral Violinist's Companion - Volumes 1 & 2
In stock and typically ships within 1 business day.
- Author: Martin Wulfhorst
- Language: English
- ISBN:
- Size: 9.1 x 11.8 inches
- Pages: 483
Today's professional orchestral musicians are highly specialized and highly qualified instrumentalists. While the traditional study at universities and music schools gives students an excellent foundation for orchestral playing, it has long been acknowledged that it often does not prepare a musician for all the challenges of orchestral life.
This volume imparts knowledge and skills essential for the orchestral violinist, extending on the musicians high school or university education. This advice and training manual is intended to serve as a guide for the full course of a musicians career from the preparation for an audition to the long-term heavy work load in an orchestra. The volumes cover an abundance of themes, including:
- Practice techniques
- Sight-reading
- Daily practice routine
- Looking after your body
- Bow technique and tone production
- Left hand technique
- Pizzicato technique and other special techniques
- Rhythm and ensemble playing
- Notation and performance practice
- Preparing of orchestral parts
- Knowledge of style
- Development of a core repertoire
- Preparation for auditions
- Coping with stage fright
- Coping with orchestral life
- Appreciation for the orchestra as a social environment
- Coping with the long-term physical and mental pressures in an orchestra
Included is a detailed, annotated index of orchestral excerpt collections, thematically relevant books and articles, and recent important studies on Performance Science. Chapters on essential practice and performance techniques include hundreds of examples from over 300 orchestral works, which encompass the areas of symphony, oratorio, opera, operetta and ballet from the period between c. 1750 and 1950. in addition, there are exercises specifically designed to advance a players orchestral technique.
As well as serving as useful teaching material for courses, these volumes are geared towards students currently in graduate or postgraduate courses specializing in orchestral playing, audition candidates, violinists at the start of their career, as well as experienced orchestral musicians and conductors.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
The Orchestral Violinist's Companion - Volumes 1 & 2
