{"title":"On the look-out for fresh piano repertoire?","description":"","products":[{"product_id":"liszt-piano-pieces-from-the-years-18801885-barenreiter","title":"Liszt: Piano Pieces from the Years 1880–1885","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Franz Liszt (1811-1886)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Kube\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006561599\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 38\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe significance of Liszt's late piano pieces has been the subject of much debate. On the one hand they are considered heralds of the elderly Liszt's waning inspiration; on the other hand, they are praised as being visionary pieces on the basis of their radical simplicity as well as bold harmonic language. This edition gathers together some of the pieces most revealing of Liszt's late style. As they are of moderate difficulty, they are also particularly suited for piano lessons. The editor has consulted previously neglected sources and describes the genesis and source tradition of the pieces in the Foreword. The Critical Commentary provides information on alternative readings and editorial decisions. An elegant engraving, practical page turns and valuable performance suggestions by the acclaimed pianist Steffen Schleiermacher make this long-overdue new scholarly edition indispensable for pianists.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eRomance oubliée, S. 527, LW A299\u003c\/li\u003e\n\u003cli\u003eWiegenlied (Chant du berceau), S. 198, LW A303\u003c\/li\u003e\n\u003cli\u003eUnstern (Sinistre), S. 208, LW A312\u003c\/li\u003e\n\u003cli\u003eLa lugubre gondola - 2nd Version (Die Trauer-Gondel), S. 200\/1, LW A319a\u003c\/li\u003e\n\u003cli\u003eLa lugubre gondola - 3rd Version (Die Trauer-Gondel), S. 200\/2, LW A319b\u003c\/li\u003e\n\u003cli\u003eR.W. - Venezia, S. 201, LW A320\u003c\/li\u003e\n\u003cli\u003eAm Grabe Richard Wagners, S. 202, LW A321\u003c\/li\u003e\n\u003cli\u003eSchlafos! Frage and Antwort, S. 203, LW A322\u003c\/li\u003e\n\u003cli\u003eTrübe Wolken (Nuages gris), S. 199, LW A305\u003c\/li\u003e\n\u003cli\u003eEn rêve (Nocturne), S. 207, LW A336\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431378854076,"sku":"BA10871","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864881451196,"sku":"BA10871D","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/bc16ac5b7f292741cdb2053883835c5b.jpg?v=1780021060"},{"product_id":"kozeluch-6-easy-piano-sonatas-barenreiter","title":"Koželuch: 6 Easy Piano Sonatas","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Leopold Koželuch (1747-1818)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Christopher Hogwood (1941-2014)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260109100\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 42\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eLeopold Koželuch (also Koželuh) was among the leading musical figures of 18th-century Vienna, well-known in his day as an excellent pianist and piano teacher. Six delightful sonatas have been selected from the complete edition of his piano sonatas published by Bärenreiter – namely the easiest, as this album is specifically aimed at beginner and moderately advanced pianists.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Sonata No. 37 in G Major\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 47 in E-flat Major\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 7 in D Major\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 46 in C Major\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 10 in F Major, Op. 8, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 14 in G Major, Op. 13, No. 2\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41431757947068,"sku":"BA11565","price":23.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/31c294f58e8abe60f2c3e5d2cd465f37.jpg?v=1751739183"},{"product_id":"sukova-piano-pieces-barenreiter","title":"Suková: Piano Pieces","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: Otilie Suková (1878-1905), Josef Suk (1874-1935)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Eva Prchalová\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260108646\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 16\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eOtilie Suková was the daughter of Antonín Dvorák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings. Four of her piano pieces have survived; Suk wrote them down after his wife's performance. \"Lullaby\", \"Humoresque\" and \"Joey on the Horsie\" were published four years after her death as a supplement to the periodical Zlatá Praha. \"To Dear Daddy\" appears here for the first time in print. It is based on two manuscripts; the first is Suk's manuscript, the second is Otilie's clean copy of Suk's manuscript.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eSuková: Humoreska (Humoreske)\u003c\/li\u003e\n\u003cli\u003eSuk: Ukolébavka (Lullaby)\u003c\/li\u003e\n\u003cli\u003eSuková: Pepca na konícku (Joey on the Horsie)\u003c\/li\u003e\n\u003cli\u003eSuková: Drahému tatíckovi (To Dear Daddy)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41431806640316,"sku":"BA11557","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/2f15ff44ec23d248ec4024269cd0344f.jpg?v=1780640850"},{"product_id":"vierne-the-first-world-war-barenreiter","title":"Vierne: The First World War","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Louis Vierne (1870-1937)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Olivier Gardon\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Perfect\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006535835\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 82\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWith his Douze Préludes, Op. 36 and Trois Nocturnes, Op. 35 composed between 1914 and 1916, Vierne followed in the Romantic piano tradition, whilst lending the historic models that special sound between elegance and expressivity, as is characteristic for French music of the period.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eDouze Préludes, Op. 36\u003c\/li\u003e\n\u003cli\u003eTrois Nocturnes, Op. 35\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41432018157756,"sku":"BA9612","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/820fdce45dd0fba15c6979287b8aa6d1.jpg?v=1780395185"},{"product_id":"martinu-easy-piano-pieces-and-dances-barenreiter","title":"Martinů: Easy Piano Pieces and Dances","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Bohuslav Martinů (1890-1959)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Lucie Harasim Berná\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Perfect\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260107465\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 31\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThough Bohuslav Martinů produced a lot of didactic material for the piano, not all of it has been published and many delightful works have remained unknown. In this \"Easy Piano Pieces and Dances\" album, Martinů's four-part piano cycle \"Crotchets and Quavers\", composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. \u003c\/p\u003e\n\u003cp\u003eThe work, previously known only from his correspondence, was long considered lost until a manuscript copy resurfaced in Brno in 2011. The jazz piece \"One-step\", composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer's autograph. \u003c\/p\u003e\n\u003cp\u003eAlong with these two \"discoveries\", this album contains the dance pieces that Martinů composed in Policka in the 1920s as well as the three-part cycle \"Christmas\", composed in Paris in 1927. These were previously available in \"Compositions for Policka\".\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eBlack Bottom, H. 165\u003c\/li\u003e\n\u003cli\u003eFoxtrot\u003c\/li\u003e\n\u003cli\u003eCrotchets and Quavers\u003c\/li\u003e\n\u003cli\u003eOne-step\u003c\/li\u003e\n\u003cli\u003eFoxtrot Born \"On the Corner\"\u003c\/li\u003e\n\u003cli\u003eChristmas\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41432052924604,"sku":"BA9586","price":23.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/d38b8fac97c9a92d3d9806a2a4b0361c.jpg?v=1780370667"},{"product_id":"schulhoff-jazz-inspired-works-for-piano-barenreiter","title":"Schulhoff: Jazz-Inspired Works for Piano","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Erwin Schulhoff (1894-1942)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Kube\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260105881\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 91\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eErwin Schulhoff was a German-speaking composer who was born in Prague in 1894 and died in the Nazi concentration camp in Wülzburg (Bavaria) in 1942. in the 1920s he returned to his native Prague to teach at the local conservatory. His compositions, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately expanded tonality, were fully attuned to the tenor of the times.\u003c\/p\u003e\n\u003cp\u003eThis edition contains five of Schulhoff's piano cycles with a total of thirty-five jazz-inflected pieces ranging from the relatively easy Esquisses de jazz (1927) to the fairly demanding Cinq études de jazz (1926).\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePartita\u003c\/li\u003e\n\u003cli\u003eCinq études de jazz, Op. 58\u003c\/li\u003e\n\u003cli\u003eEsquisses de jazz (Six easy pieces), Op. 64\u003c\/li\u003e\n\u003cli\u003eHot Music (Ten Syncopated Studies), Op. 67\u003c\/li\u003e\n\u003cli\u003eSuite dansante en jazz, Op. 74\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41432056856764,"sku":"BA9559","price":60.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/bd29ab41fe25e3c284281b239b15bca6.jpg?v=1780373018"},{"product_id":"schulhoff-piano-sonatas-nos-1-3-barenreiter","title":"Schulhoff: Piano Sonatas, Nos. 1-3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Erwin Schulhoff (1894-1942)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Kube\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260105898\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 66\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWith his works of the 1920s – an original blend of traditional genres, rhythms inspired by jazz and dance music and judiciously expanded tonality – the German-Czech composer Erwin Schulhoff captured the tenor of the times. This edition presents the piano sonatas that originated between 1924 and 1927.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Sonata No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 3\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41432057020604,"sku":"BA9560","price":56.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/9a9c47cab61523365e8b59e401fe5f60.jpg?v=1780352531"},{"product_id":"dusek-complete-sonatas-for-keyboard-volume-1-barenreiter","title":"Dušek: Complete Sonatas for Keyboard - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: František Xaver Dušek (1731-1799)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Vojtech Spurný\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260107625\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 69\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe Czech composer František Xaver Dušek (1731-1799) was a leading figure in Pragues music life in the latter half of the 18th century. He was an outstanding pianist, composer and piano teacher whose pupils included Leopold Koeluch.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eSonata No. 1\u003c\/li\u003e\n\u003cli\u003eSonata No. 2\u003c\/li\u003e\n\u003cli\u003eSonata No. 3\u003c\/li\u003e\n\u003cli\u003eSonata No. 4\u003c\/li\u003e\n\u003cli\u003eSonata No. 5\u003c\/li\u003e\n\u003cli\u003eSonata No. 6\u003c\/li\u003e\n\u003cli\u003eSonata No. 7\u003c\/li\u003e\n\u003cli\u003eSonata No. 8\u003c\/li\u003e\n\u003cli\u003eSonata No. 9\u003c\/li\u003e\n\u003cli\u003eSonata No. 10\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41432077238460,"sku":"BA11513","price":40.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/e3491c11bbdeb5eb755170ca35a26a31.jpg?v=1780341235"},{"product_id":"satie-avant-dernieres-pensees-barenreiter","title":"Satie: Avant-dernières pensées","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Erik Satie (1866-1925)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jens Rosteck\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Avant-dernières pensées (1915)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006557981\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe atmospheric cycle Avant-dernières pensées of 1915, with its underlaid words, likewise belongs to Satie's story pieces. The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness.\u003c\/p\u003e\n\u003cp\u003eThe pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41432131502268,"sku":"BA10849","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864884924604,"sku":"BA10849D","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/cc2f29606d9c396e3d86ea8987c5d8ec.jpg?v=1780341572"},{"product_id":"chabrier-habanera-barenreiter","title":"Chabrier: Habanera","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Emmanuel Chabrier (1841-1894)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFingering\u003c\/strong\u003e: Tamara Stefanovich\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Britta Schilling-Wang\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Habanera (1885)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006542239\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 10\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eChabrier was heralded by the young generation of composers in France, particularly by Debussy, Ravel and Poulenc, as the founder of the French Modern. He achieved resounding success with his orchestra rhapsody España upon returning from his trip to Spain. Riding on this success, he composed the Habanera in 1885 which was met with equal enthusiasm. The piece was soon circulated in various arrangements. Chabrier himself transcribed the piece for orchestra in 1889.\u003c\/p\u003e\n\u003cp\u003eThis striking piece is ideal for teaching purposes and includes fingering by Tamara Stefanovich as well as a well-presented layout with optimum page turns.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41432148836540,"sku":"BA10839","price":11.25,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864877551804,"sku":"BA10839D","price":11.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/ff955b4ef91a83a5d75da9e7456cfaa5.jpg?v=1780336544"},{"product_id":"dvorak-suite-in-a-major-op-98-barenreiter","title":"Dvořák: Suite in A Major, Op. 98","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Antonín Dvořák (1841-1904)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Iacopo Cividini\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Suite in A Major (\"American\"), B. 184, Op. 98\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260109452\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAntonín Dvořák's five-movement \"Suite in A Major\" for piano was completed in New York on 1 March 1894, shortly after the triumphant success of his \"New World\" Symphony. As he himself noted in the autograph, it was the fifth piece he composed during his stay abroad. in a letter to his publisher Simrock he called the Suite, alongside the \"Biblical Songs\", his finest achievement to date in this area. The Suite was published by Simrock in that same year and received its première performance in December.\u003c\/p\u003e\n\u003cp\u003eAfter meticulously examining all the surviving sources, including Dvořák's autograph score, editor Iacopo Cividini chose the original print as the main source for his edition.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":42897297440956,"sku":"BA10421","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/89bbfe192c73177b2851ff09bfc426d8.jpg?v=1780261164"},{"product_id":"saint-saens-six-etudes-for-piano-op-111-r-49-barenreiter","title":"Saint-Saëns: Six Études for Piano, Op. 111, R 49","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Camille Saint-Saëns (1835-1921)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Catherine Massip\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 6 Études, Op. 111, R 49\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Saddle-Stitch\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006576074\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 43\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eMore than 20 years after, Op. 52, Saint-Saëns turned once more to the genre of the concert etude. in 1892, he wrote an etude that was initially intended for publication in a magazine and later was to become etude No. 1. However, on the advice of his publisher Durand, the composer refrained from publishing it individually and wrote a further five etudes by 1898 to complete a new collection. The dedications are mainly intended as a thank you to pianists who were committed to the performance of his piano music, including Arthur De Greef, Raoul Pugno and Édouard Risler. Shortly after the publication of the edition in 1899, Pablo Sarasate arranged the impressionistic-sounding etude \"Les Cloches de Las Palmas\" for solo violin and Risler the last two pieces (Tierces majeures chromatiques, Toccata) for two pianos.\u003c\/p\u003e\n\u003cp\u003eThe new Urtext editions are based on the ground-breaking musical text of the \"Œuvres instrumentales complètes\" by Camille Saint-Saëns, for which the editor has meticulously evaluated all known sources. A detailed Foreword provides information on the genesis and significance of the etudes. Readings and variants are precisely documented in the Critical Commentary (Eng). Notes on interpretation (Fr\/Eng\/Ger) as well as an elegant music engraving provide the pianist with optimal conditions for studying these virtuosic etudes.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":43161560449212,"sku":"BA11855","price":35.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46870071771324,"sku":"BA11855D","price":35.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/75c459ce6f29d548fbf6cb622700ddcb.jpg?v=1780273917"},{"product_id":"suk-easy-piano-pieces-and-dances-barenreiter","title":"Suk: Easy Piano Pieces and Dances","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Josef Suk (1874-1935)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonáš Hájek\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260109704\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 32\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eShort, technically easy pieces from the rich piano oeuvre of Josef Suk (1874–1935) form the latest addition to the established series \"Easy Piano Pieces and Dances\". The editor has included a varied selection of 12 compositions from the period 1893–1928 in this album ranging from playful and carefree atmospheric pieces (\"Village Serenade\" and \"Humoresque\"), through musical gifts for friends (\"Albumleaf\", \"Little Song\") to serious and deeply intimate movements from Suk's masterful piano cycles. Here advanced beginners can already practise their interpretative skills with subtle expressive means. Included for the first time are Suk's humorous greeting \"Spanish Joke\" which he sent to a friend on a postcard from Madrid in 1909 as well as a polka that was \"often played by musicians for Master Dvořák\" which was arranged by Suk for piano 30 years later entitled \"Vysoká Polka\".\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eLístek do památníku from 3 Písně beze slov (3 Songs Without Words) (1891)\u003c\/li\u003e\n\u003cli\u003eHumoreska from 6 Klavírních skladeb (6 Piano Pieces), Op. 7\u003c\/li\u003e\n\u003cli\u003eAdagio from Suita, Op. 21\u003c\/li\u003e\n\u003cli\u003ePopěvek from Ukolébavky (Lullabies), Op. 33\u003c\/li\u003e\n\u003cli\u003eVesnická serenáda (Village Serenade in F Major) (1897)\u003c\/li\u003e\n\u003cli\u003eMinuetto from Suita, Op. 21\u003c\/li\u003e\n\u003cli\u003eDer Frühling No. 4\u003c\/li\u003e\n\u003cli\u003eJak zpívala matinka za noci chorému decku from O matince (About Mother), Op. 28\u003c\/li\u003e\n\u003cli\u003eO štědrém dni from 4 Episody (4 Episodes) (1923)\u003c\/li\u003e\n\u003cli\u003eVysocká polka from 4 Episody (4 Episodes) (1923)\u003c\/li\u003e\n\u003cli\u003ePsina španělská (Spanish Caprice) (1909)\u003c\/li\u003e\n\u003cli\u003eDoslov\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":43291001323708,"sku":"BA11575","price":23.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/b1be2df85e1d43cb1aa11b1a4dc8cfb8.jpg?v=1781409030"},{"product_id":"smetana-easy-piano-pieces-and-dances-barenreiter","title":"Smetana: Easy Piano Pieces and Dances","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Bedřich Smetana (1824-1884)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jaroslav Šindler\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFingering\u003c\/strong\u003e: Jan Novotný\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Andante in F Minor, JB 1:117, T. 125\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Saddle-Stitch\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260109872\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 32\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFor the most part, the rich piano legacy of Bedrich Smetana (1824–1884) comprises compositions that require the skills of an advanced or even professional pianist. in this album, which forms part of the popular \"Easy Piano Pieces and Dances\" series, the composer's technically easier pieces have been compiled to provide an ideal introduction to Smetana's varied piano repertoire.\u003c\/p\u003e\n\u003cp\u003eThe album contains two well-known concert pieces (\"Souvenir\" from the cycle \"Sketches\", Op. 4 and the Polka in G Minor from the cycle \"Three Poetic Polkas\", Op. 8), but also lesser-known, smaller pieces written for various occasions (e.g. several \"Album Leaves\"). All compositions include fingering by the renowned Czech pianist and Smetana interpreter Jan Novotný.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndante f moll \/ Andante in F Minor \/ Andante f Minor\u003c\/li\u003e\n\u003cli\u003eValcik G dur \/ Waltz in G Major \/ Walzer in G Major\u003c\/li\u003e\n\u003cli\u003eToccata\u003c\/li\u003e\n\u003cli\u003eLístek do památníku h moll \/ Album Leaf in B Minor \/ Stammbuchblatt B Minor\u003c\/li\u003e\n\u003cli\u003eLe désir \/ Touha \/ Lounging \/ Sehnsucht\u003c\/li\u003e\n\u003cli\u003eChanson\u003c\/li\u003e\n\u003cli\u003eVzpomínka \/ Souvenir \/ Erirnnerung\u003c\/li\u003e\n\u003cli\u003eL'innocence \/ Nevinnost \/ Innocence \/ Unschuld\u003c\/li\u003e\n\u003cli\u003eL'amour \/ Láska \/ Love \/ Liebe\u003c\/li\u003e\n\u003cli\u003eLístek do památníku G dur \/ Album Leaf in G Major \/ Stammbuchblatt G Major\u003c\/li\u003e\n\u003cli\u003eLístek do památníku g moll \/ Album Leaf in G Minor \/ Stammbuchblatt g Minor\u003c\/li\u003e\n\u003cli\u003eAndante Es dur \/ Andante E-flat Major \/ Andante E-flat Major\u003c\/li\u003e\n\u003cli\u003eLístek do památníku h moll \/ Album Leaf in B Minor \/ Stammbuchblatt B Minor\u003c\/li\u003e\n\u003cli\u003eIdyla \/ Idyll \/ Idylle\u003c\/li\u003e\n\u003cli\u003eRomance g moll \/ Romance in G Minor \/ Romanze g Minor\u003c\/li\u003e\n\u003cli\u003ePolka f moll \/ Polka in F Minor \/ Polka f Minor\u003c\/li\u003e\n\u003cli\u003ePolka g moll \/ Polka in G Minor \/ Polka g Minor\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":43906800943292,"sku":"BA11578","price":23.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/94350bc9ce936147bea07cd8ab078d6f.jpg?v=1752427325"},{"product_id":"hensel-ostersonate-barenreiter","title":"Hensel: Ostersonate","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Fanny (Mendelssohn) Hensel (1805-1847)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Ostersonate (\"Easter Sonata\") (1828)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Saddle-Stitch\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006575879\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis piano sonata was still considered to be by Felix Mendelssohn when it was recorded by Eric Heidsieck in 1972. It was not until 2010, almost 200 years after its composition in 1828, that musicologist Angela Mace Christian was able to unequivocally attribute the work to Mendelssohn's sister Fanny Hensel. Bärenreiter presents the first Urtext edition of the \"Easter Sonata\". It is based on the autograph, which was inaccessible for a long time due to it being in private hands. Now the manuscript is part of the Robert Owen Lehman Collection.\u003c\/p\u003e\n\u003cp\u003eThe first volume of the edition contains the critical edition of the sonata, supplemented by a detailed Critical Commentary (Eng). The second volume offers a complete facsimile reproduction in colour of Fanny Hensel's autograph. Both volumes can be placed side by side, practical for study purposes. The editor is Marie Rolf, Emeritus Professor of Music Theory at the Eastman School of Music, University of Rochester. The Foreword (Eng\/Ger) by renowned Mendelssohn specialist R. Larry Todd provides information about the exciting history of the work and its rediscovery.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Score and Facsimile","offer_id":43994433650876,"sku":"BA11853","price":49.5,"currency_code":"USD","in_stock":true},{"title":"Score and Facsimile - Digital Download","offer_id":46870077997244,"sku":"BA11853D","price":49.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/8488b88b1d8599d50d7d93273ae15d6f.jpg?v=1780955037"},{"product_id":"myslivecek-6-easy-keyboard-sonatas-barenreiter","title":"Myslivecek: 6 Easy Keyboard Sonatas","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Josef Mysliveček (1737-1781)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Vojtech Spurný\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 6 Piano Sonatas\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790260109698\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 44\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eW. A. Mozart once praised the sonatas for piano and harpsichord by Josef Myslivecek (1737–1781) in a letter to his father; he not only played them himself, but also recommended that his sister learn them by heart. The collection of six already known sonatas is enriched by the one-movement Sonata in C Major, a copy of which has so far been preserved in the archives of the Benedictine monastery of San Pietro in Perugia.\u003c\/p\u003e\n\u003cp\u003eThe sonatas are suitable both as concert literature and for teaching purposes, as they represent an ideal introduction to the classical period. Until now, there has been no edition that has taken all available sources into account. Vojtech Spurný, the editor of this Urtext edition who is a pianist, conductor and specialist in historical performance practice, relied on a copy of the sonatas from the Bavarian State Library in Munich as his main source.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":44377211994300,"sku":"BA11568","price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/8488e6bd3d345b2a0b9cc9cd1e26cd39.jpg?v=1780317105"}],"url":"https:\/\/www.barenreiter.us\/zh\/collections\/on-the-look-out-for-fresh-piano-repertoire.oembed","provider":"Barenreiter US","version":"1.0","type":"link"}