{"title":"Graduation Gifts for Musicians","description":"","products":[{"product_id":"bach-6-cello-suites-bwv-1007-1012-barenreiter-1","title":"Bach: 6 Cello Suites, BWV 1007-1012","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Johann Sebastian Bach (1685-1750)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Andrew Talle\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006565771\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e10.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 61\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWhen you think cello, you think of Bach's immortal cello suites.\u003c\/p\u003e\n\u003cp\u003eAppropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always bein a Major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.\u003c\/p\u003e\n\u003cp\u003eIn this new edition, Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.\u003c\/p\u003e\n\u003cp\u003e\"This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.\"\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eCello Suite No. 1 in G Major, BWV 1007\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 2 in D Minor, BWV 1008\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 3 in C Major, BWV 1009\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 4 in E-flat Major, BWV 1010\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 5 in C Minor, BWV 1011\u003c\/li\u003e\n\u003cli\u003eCello Suite No. 6 in D Major, BWV 1012\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Paperback","offer_id":41432013045948,"sku":"BA5257","price":44.0,"currency_code":"USD","in_stock":true},{"title":"Hardcover","offer_id":41432013078716,"sku":"BA5258","price":97.25,"currency_code":"USD","in_stock":true},{"title":"Paperback - Digital Download","offer_id":46844334964924,"sku":"BA5257D","price":44.0,"currency_code":"USD","in_stock":true},{"title":"Hardcover - Digital Download","offer_id":46842676576444,"sku":"BA5258D","price":97.25,"currency_code":"USD","in_stock":true},{"title":"Facsimile","offer_id":41432013111484,"sku":"BA5277","price":97.25,"currency_code":"USD","in_stock":true},{"title":"Facsimile - Digital Download","offer_id":46864678322364,"sku":"BA5277D","price":97.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/bd736eabe692e1df24ad555a9cca2bcb.jpg?v=1780428988"},{"product_id":"bach-suites-partitas-sonatas-transc-for-harpsichord-barenreiter","title":"Bach: Suites, Partitas, Sonatas (transc. for harpsichord)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Johann Sebastian Bach (1685-1750)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Siebe Henstra\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTranscriber\u003c\/strong\u003e: Gustav Leonhardt\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eHarpsichord\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006562602\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 135\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.\" (Gustav Leonhardt)\u003c\/p\u003e\n\u003cp\u003eThe harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach's compositions for unaccompanied violin or cello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eSonata in D Minor (after Sonata for Violin in G Minor)\u003c\/li\u003e\n\u003cli\u003ePartita in E Minor (after Partita for Violin in B Minor)\u003c\/li\u003e\n\u003cli\u003ePartita in G Minor (after Partita for Violin in D Minor)\u003c\/li\u003e\n\u003cli\u003eSonata in G Major (after Sonata for Violin in C Major)\u003c\/li\u003e\n\u003cli\u003ePartita in A Major (after Partita for Violin in E Major)\u003c\/li\u003e\n\u003cli\u003eSuite in E-flat Major (after Suite for Cello in E-flat Major)\u003c\/li\u003e\n\u003cli\u003eSuite in C Minor (after Suite for Cello in C Minor)\u003c\/li\u003e\n\u003cli\u003eSuite in D Major (after Suite for Cello in D Major)\u003c\/li\u003e\n\u003cli\u003eAllemande in A Minor (after Allemande from Partita for Flute in A Minor)\u003c\/li\u003e\n\u003cli\u003eSarabande in C Minor (after Sarabande from Suite for Lute in C Minor)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41432032837820,"sku":"BA11820","price":65.25,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864876306620,"sku":"BA11820D","price":65.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/6af7060e8bf0595facdf6686f8ea5417.jpg?v=1780395308"},{"product_id":"the-orchestral-violinists-companion-volumes-1-2-barenreiter","title":"The Orchestral Violinist's Companion - Volumes 1 \u0026 2","description":"\u003cdiv\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eAuthor\u003c\/strong\u003e: Martin Wulfhorst\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e \u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eLanguage\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9783761817582\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e \u003cstrong\u003ePages\u003c\/strong\u003e: 483 \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eToday's professional orchestral musicians are highly specialized and highly qualified instrumentalists. While the traditional study at universities and music schools gives students an excellent foundation for orchestral playing, it has long been acknowledged that it often does not prepare a musician for all the challenges of orchestral life.\u003c\/p\u003e\n\u003cp\u003eThis volume imparts knowledge and skills essential for the orchestral violinist, extending on the musicians high school or university education. This advice and training manual is intended to serve as a guide for the full course of a musicians career from the preparation for an audition to the long-term heavy work load in an orchestra. The volumes cover an abundance of themes, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePractice techniques\u003c\/li\u003e\n\u003cli\u003eSight-reading\u003c\/li\u003e\n\u003cli\u003eDaily practice routine\u003c\/li\u003e\n\u003cli\u003eLooking after your body\u003c\/li\u003e\n\u003cli\u003eBow technique and tone production\u003c\/li\u003e\n\u003cli\u003eLeft hand technique\u003c\/li\u003e\n\u003cli\u003ePizzicato technique and other special techniques\u003c\/li\u003e\n\u003cli\u003eRhythm and ensemble playing\u003c\/li\u003e\n\u003cli\u003eNotation and performance practice\u003c\/li\u003e\n\u003cli\u003ePreparing of orchestral parts\u003c\/li\u003e\n\u003cli\u003eKnowledge of style\u003c\/li\u003e\n\u003cli\u003eDevelopment of a core repertoire\u003c\/li\u003e\n\u003cli\u003ePreparation for auditions\u003c\/li\u003e\n\u003cli\u003eCoping with stage fright\u003c\/li\u003e\n\u003cli\u003eCoping with orchestral life\u003c\/li\u003e\n\u003cli\u003eAppreciation for the orchestra as a social environment\u003c\/li\u003e\n\u003cli\u003eCoping with the long-term physical and mental pressures in an orchestra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIncluded is a detailed, annotated index of orchestral excerpt collections, thematically relevant books and articles, and recent important studies on Performance Science. Chapters on essential practice and performance techniques include hundreds of examples from over 300 orchestral works, which encompass the areas of symphony, oratorio, opera, operetta and ballet from the period between c. 1750 and 1950. in addition, there are exercises specifically designed to advance a players orchestral technique.\u003c\/p\u003e\n\u003cp\u003eAs well as serving as useful teaching material for courses, these volumes are geared towards students currently in graduate or postgraduate courses specializing in orchestral playing, audition candidates, violinists at the start of their career, as well as experienced orchestral musicians and conductors.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41432045486268,"sku":"BVK1758","price":107.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/bd3dcb0d4a23cbe0f76cdad332c783ed.jpg?v=1780370770"},{"product_id":"beethoven-cello-sonatas-barenreiter","title":"Beethoven: Cello Sonatas","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello, Piano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006524228\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 263\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eScholarship has advanced, new sources have come to light and the renowned Beethoven expert Jonathan Del Mar has turned his attention to the centrally important works in the cello œuvre , the five Beethoven Sonatas for Cello and Piano. \u003c\/p\u003e\n\u003cp\u003eJonathan Del Mar's scholarly-critical edition not only contains the definitive music text, but also the first critical commentary to these works.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003ePreface\u003c\/li\u003e\n\u003cli\u003eEinleitung\u003c\/li\u003e\n\u003cli\u003eVorwort\u003c\/li\u003e\n\u003cli\u003eSonata in F Major, Op. 5, No. 1 \/ Sonata in F, Op. 5, No. 1: Adagio sostenuto - Allegro; Rondo. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSonata in G Minor, Op. 5, No. 2 \/ Sonata in g, Op. 5, No. 2: Adagio sestenuto e espressivo - Allegro molto piu tosto presto; Rondo. Allegro\u003c\/li\u003e\n\u003cli\u003eSonata in A Major, Op. 69 \/ Sonata in A, Op. 69: Allegro ma non tanto; Scherzo. Allegro molto; Adagio cantabile - Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSonata in C Major, Op. 102, No. 1 \/ Sonata in C, Op. 102, No. 1: Andante - Allegro vivace; Adagio - Tempo d'Andante - Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSonata in D Major, Op. 102, No. 2 \/ Sonata in D, Op. 102, No. 2: Allegro con brio; Adagio con molto sentimento d'affetto; Allegro fugato\u003c\/li\u003e\n\u003cli\u003eFacsimiles\u003c\/li\u003e\n\u003cli\u003eSigns and conventions\u003c\/li\u003e\n\u003cli\u003eCritical Commentary:\n-, Op. 5:\u003c\/li\u003e\n\u003cli\u003eSources\n-, Op. 5 No. 1\n-, Op. 5 No. 2\n-, Op. 69:\u003c\/li\u003e\n\u003cli\u003eSources\n-, Op. 69\n-, Op. 102:\u003c\/li\u003e\n\u003cli\u003eSources\n-, Op. 102 No. 1\n-, Op. 102 No. 2\u003c\/li\u003e\n\u003cli\u003eBibliography\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eCello Sonata in F Major, Op. 5, No. 1\u003c\/li\u003e\n\u003cli\u003eCello Sonata in G Minor, Op. 5, No. 2\u003c\/li\u003e\n\u003cli\u003eCello Sonata in A Major, Op. 69\u003c\/li\u003e\n\u003cli\u003eCello Sonata in C Major, Op. 102, No. 1\u003c\/li\u003e\n\u003cli\u003eCello Sonata in D Major, Op. 102, No. 2\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41432045715644,"sku":"BA9012","price":53.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46868865122492,"sku":"BA9012D","price":53.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/436a9cd76b3e1bd43d9689b0c922b20b.jpg?v=1780359388"}],"url":"https:\/\/www.barenreiter.us\/zh\/collections\/graduation-gifts-for-musicians.oembed","provider":"Barenreiter US","version":"1.0","type":"link"}