Sacred Motets by French Masters of the 19th and 20th Century for Solo Voice and Organ (Harmonium, Piano)
Expected to ship in about a week.
- Editor: Helga Schauerte-Maubouet
- Instrumentation: Organ, Voice
- Work Languages: French, Latin
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 94
Description
This anthology contains a selection of thirty sacred songs from Charles Gounod to Jehan Alain for solo voice with an organ (harmonium/piano) accompaniment. The collection is dedicated exclusively to French composers and can be used for both concerts and church services. The vocal works which are listed in chronological order represent a highly fascinating repertoire, that invites the study of the development of the solo motet genre.
In addition to the 27 motets in Latin, the edition contains two French settings of the Lord's Prayer as well as a vocalise. Well-known motets such as César Franck's "Panis angelicus" or Gabriel Fauré's "O salutaris" stand alongside previously unpublished works, including settings of the Lord's Prayer by André Caplet and Émile Goué as well as the two motets "O salutaris" each with an additional instrumental part (violin, violin/ flute respectively) by Joseph-Ermend Bonnal, which are published here for the first time. Furthermore, long out-of-print pieces such as Eugène Gigout's "Tota pulchra es" and Marcel Dupré's "Memorare" are made available here again.
In the Introduction (Ger/Fr/Eng), editor Helga Schauerte-Maubouet presents the musical sources and the historical context, and addresses questions of interpretation, such as the pronunciation of the Latin text. All Latin texts are provided with translations in three languages.
Contents:
Vorwort
Préface
Preface
Lateinische Liedtexte and Übersetzungen / Textes latins et traductions / Latin texts and translations
Charles Gounod (1818–1893):
- O salutaris
César Franck (1822–1890):
- Ecce panis
- Panis angelicus
Camille Saint-Saëns (1835–1921):
- Panis angelicus
Théodore Dubois (1837–1924):
- Ave verum
- Agnus Dei
- O salutaris
- Ego mater
Eugène Gigout (1844–1925):
- Tota pulchra es, Maria
Charles-Marie Widor (1844–1937):
- Ave Maria
- O salutaris
Gabriel Fauré (1845–1924):
- O salutaris
Ernest Chausson (1855–1899):
- Ave verum
- Tota pulchra es, Maria
- Pater noster
Léon Boëllmann (1862–1897):
- O salutaris
- Ave verum
Louis Vierne (1870–1937):
- Ave Maria
- Ave verum
- Tantum ergo
Charles Quef (1873–1931):
- O salutaris
André Caplet (1878–1925):
- Pater noster
Achille Philip (1878–1959):
- Notre Père
Maurice Reuchsel (1880–1968):
- Pater noster
Ermend Bonnal (1880–1944):
- O salutaris
- O salutaris
Marcel Dupré (1886–1971):
- Memorare
Émile Goué (1904–1946):
- Notre Père
Jehan Alain (1911–1940):
- O quam suavis est
- Vocalise dorienne
Source list
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



