Janáček: Works for Cello and Piano
Expected to ship in about a week.
- Composer: Leoš Janáček (1854-1928)
- Editors: Jirí Fukac, Bedrich Havlík, Jirí Zahrádka
- Instrumentation: Cello, Piano
- ISMN:
- Size: 9.6 x 12.2 inches
- Pages: 80
- Urtext / Critical Edition
Description
Leoš Janáček wrote only two works for cello and piano, of which only Pohádka (Fairy Tale) became established in the concert repertoire. Although he completed the work, the composer did not want to have it published. The history of the works composition is long and complicated. Janáček began writing the work before 1910, however, the Pohadka only received its final form after a series of corrections in 1923.
The second composition, the Presto, is incomplete. Only a sketch exists which Janáček did not develop further. The original tempo marking of Allegro was changed by Janáček himself to Presto. The work has been discussed under this title in recent Janáček literature.
In the supplement of this edition an early version of A Tale is included. The source to this version is a copy owned by Antonin Vana , one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to todays known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements.
Works:
- Pohádka (A Tale), JW VII/5
- Presto, JW VII/6
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.