Keyboard Works Attributed to J. S. Bach
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- Composer: Johann Sebastian Bach (1685-1750)
- Editors: Ulrich Bartels, Frieder Rempp
- Instrumentation: Piano, Keyboard
- ISMN:
- Size: 9.6 x 12.2 inches
- Pages: 156
- Urtext / Critical Edition
Description
This edition contains works which have survived bearing Johann Sebastian Bachs name or were later attributed to Bach, but where Bach has been ruled out as composer in the opinion of the editors on stylistic grounds or following a critical examination of the sources. But having said that, it is hard to be negative about these compositions which are of a consistently high quality. Furthermore this is largely unknown repertoire; almost half of the pieces in the volume are previously unpublished. As a result, this edition invites curious and open-minded musicians on a voyage of discovery.
Works:
- Sarabande in G Minor, BWV 839
- Fugue in A Minor, BWV 897, No. 2
- Prelude and Fugue in B-flat Major, BWV 898
- Fantasy in G Minor, BWV 920
- Fugue in E Minor, BWV 945
- Fugue in E Minor (Fragment), BWV 960
- Suite in F Major, BWV Anh. 80
- Gigue in G Major, BWV Anh. 81
- Fantasy in C Minor, BWV Anh. 86
- Fantasy in C Major (Second version), BWV Anh. 87
- Fugue in C Major, BWV Anh. 89
- Fugue in E Minor, BWV Anh. 95
- Fuga in G Major, BWV Anh. 91
- Fugue in E Minor, BWV Anh. 93
- Fugue in G Major, BWV Anh. 92
- Fugue in D Major, BWV Anh. 96
- Fugue in D Minor, BWV Anh. 98
- Fugue in D Minor, BWV Anh. 99
- Fugue in D Minor, BWV Anh. 100
- Fugue in D Minor (Alternative version), BWV Anh. 100
- Fugue in E-flat Minor, BWV Anh. 102
- Fugue in C Major on B-A-C-H, BWV Anh. 107
- Fugue in C Major on B-A-C-H (two versions), BWV Anh. 108
- Fugue in C Minor on B-A-C-H, BWV Anh. 110
- Contrapunctus alla Decima, BWV Anh. 109
- Largo and Allegro, BWV Anh. 111
- Fugue in D Minor, BWV Anh. 180
- Fugue in C Major, BWV deest
- Fugue in C Minor, BWV deest
- Fugue in B Minor, BWV deest
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Keyboard Works Attributed to J. S. Bach
