Organ Music for Passiontide and Easter
In stock and typically ships within 1 business day.
- Composers: Ernst Köhler (1799-1847), Carl Reinecke (1824-1910), Wilhelm Heuss (1895-1928), Johann Sebastian Bach (1685-1750), Ernst Wiedemann (1848-1922), Rudolf Palme (1834-1909), Emil Dercks (1849-1911), Robert Schaab (1817-1887), Max Gulbins (1862-1932), Carl Karow (1790-1863), Richard Jung (1861-1932), Johann Georg Herzog (1822-1909), Karl Piutti (1846-1902), Paul Claußnitzer (1867-1924), Emil Weidenhagen (1862-1922), Karl Stiller (1837-1894)
- Editor: Andreas Rockstroh
- Instrumentation (this edition): Organ
- Originally for: Organ, Orchestra, Double Choir (SATB + SATB)
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 105
Description
Bärenreiter's "Organ Wedding Album" and "Christmas for Organ" have proved highly successful editions among fully or semi-professional organists and church musicians.
This volume focuses on well-known hymns for the Passion and Easter season, including "O sacred head now wounded", "O dearest Jesus how hast thou offended", "Christ the Lord is risen", and "Jesus lives, with him live I". It also contains Passion preludes, festive preludes, organ fantasies, an Easter Sonata and " Stimmungsbilder " by Georg Riemenschneider (1848–1913), and much else. The settings stem from various composers of the early to late romantic period, including Johann Georg Herzog, Theophil Forchhammer, Paul Claussnitzer, and Karl Hoyer.
Works:
- Herzog: Ein Lämmlein geht and trägt die Schuld (Passiontide Chorale), Op. 72, No. 3
- Gulbins: No. 5, Passion ("Christe, du Lamm Gottes") from Character Pieces for Organ, Op. 55
- Gulbins: No. 1, Chorale Prelude ("Christe, du Lamm Gottes") from 10 Character Pieces for Passiontide, Op. 58
- Stiller: Chorale Prelude on "Christe, du Lamm Gottes", Op. 11
- Piutti: Passion Prelude, Op. 6, No. 4
- Gulbins: No. 10, "Ein Lämmlein geht und trägt die Schuld" from 10 Character Pieces for Passiontide, Op. 58
- Gulbins: No. 9, "Herzliebster Jesu, was hast du verbrochen" from 10 Character Pieces for Passiontide, Op. 58
- Gulbins: No. 7, "O Welt, sieh hier dein Leben" from 10 Character Pieces for Passiontide, Op. 58
- Köhler: Introduction for Graun's Easter Oratorio, Op. 15
- Gulbins: No. 6, "O Haupt voll blut und Wunden" from 10 Character Pieces for Passiontide, Op. 58
- Reinecke: In Memoriam (Introduction & Fugue with Chorale), Op. 128
- Gulbins: No. 1, "Wenn ich einmal soll scheiden" from 3 Festival Fantasias, Op. 105
- Final Chorus from Bach: St. Matthew Passion, BWV 244
- Heuss: Prelude, Op. 11
- Gulbins: No. 5, Easter from Biblische Bilder, Op. 73
- Herzog: Festival Prelude for Easter, Op. 72, No. 5
- Wiedemann: Chorale Prelude on "Auf, auf, mein Herz, mit Freuden"
- Karow: Chorale Prelude on "Christ ist erstanden"
- Gulbins: No. 3, "Christ lag in Todesbanden" from 4 Fantasias for Passiontide & Easter, Op. 108
- Schaab: Prelude on "Erschienen ist der herrlich Tag"
- Jung: Chorale Prelude on "Erschienen ist der herrlich Tag"
- Weidenhagen: No. 5, "Erschienen ist der herrlich Tag from 10 Festival Preludes, Op. 40
- Gulbins: No. 4, "Jesus lebt!" from 4 Fantasias for Passiontide & Easter, Op. 108
- Palme: Chorale Prelude on "Jesus, meine Zuversicht"
- Dercks: Chorale Prelude on "Jesus, meine Zuversicht"
- Claußnitzer: Chorale Prelude on "Jesus, meine Zuversicht", Op. 50, No. 12
- Herzog: Easter Sonata, Op. 62, No. 4
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Organ Music for Passiontide and Easter
