Elgar: Cello Concerto in E Minor, Op. 85
Expected to ship in about a week.
- Composer: Edward Elgar (1857-1934)
- Format: Facsimile of The Autograph
- Instrumentation: Cello, Orchestra
- Work: Cello Concerto in E Minor, Op. 85
- Binding: Hardcover
- ISBN:
- Size: 9.8 x 13.2 inches
- Pages: 144
- Urtext / Critical Edition
Description
Perhaps it was British humour which led Elgar to describe his Cello Concerto, a work composed in the autumn of his life, as "good and lively". Premiered on 27 October 1919 in London , the work is an expression of his personal experiences as well as those encountered as a composer together with echoes of earlier compositions such as the Serenade for Strings. When asked what significance the Cello Concerto had, Elgar replied: "a person's attitude to life". Today it is one of the most popular works in the cello repertoire. This facsimile was published for the occasion of the 150th anniversary of Elgar's birth on 2 June 2007. True to the original, it reproduces Elgar's numerous coloured corrections and additions; preparations for the printed version of the score and last minute corrections, no doubt reflecting his experience in rehearsals, performances and recordings. The edition also includes an introduction by Jonathan Del Mar who has already prepared the Urtext edition of this work as well as a preface by the renowned cellist Steven Isserlis .
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

