Sonntagsorgel - Volume 3
Easy Organ Music for Church Services and Teaching
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- Editors: Armin Kircher, Marius Schwemmer
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 67
Description
"Sonntagsorgel" is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The editions are ideal for teaching purposes or for use in church services. The third volume contains liturgical organ music (chorale preludes and hymnaccompaniments) and includes works by composers from Johann Christian Bach to Augustinus Franz Kropfreiter.
The first volume includes festive preludes, toccatas and fugues, trios and pastorals by German and French composers from the 17th through to the 20th century. in the second volume, meditative pieces by composers ranging from Christian Heinrich to Théodore Salomé are presented.
The pieces are easy to sight-read and sound impressive. The volumes will be appreciated by amateur and professional church-musicians alike. - Collection of organ music which does not require much practising - Mainly for amateur organists - Suitable for teaching purposes.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.