Mozart: Violin Concerto No. 3 in G Major, K. 216
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- Composer: Wolfgang Amadeus Mozart (1756-1791)
- Editor: Christoph-Hellmut Mahling
- Instrumentation: Violin, Orchestra
- Work: Violin Concerto No. 3 in G Major, K. 216
- ISMN:
- Size: 9.6 x 12.2 inches
- Pages: 70
- Urtext / Critical Edition
Description
This piano reduction of Mozart's in G Major violin concerto comes with two solo parts. One violin part gives players the Urtext of the "New Mozart Edition". The tutti passages are all presented in normal size print for players wanting to perform these sections with the first violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.
The second violin part is a prepared performance part and offers bowings, fingerings and performance practice comments.
An original cadenza by Mozart to this work has not come down to us. Therefore, a booklet is inserted which assembles cadenzas, lead-ins and fermata embellishments by Eugène Ysaÿe, Leopold Auer, Sam Franko and Martin Wulfhorst. This collection provides players with a spectrum of styles available in no other publication.
The piano reduction of the orchestral score is comfortable to play, uncluttered and practical. Solo parts and piano reduction appear with page turns where you need them and with fold-out pages where necessary.
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Urtext solo part
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Second violin part with bowing and fingering
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Separate booklet with cadenzas, lead-ins, and fermata embellishments by L. Auer, E. Ysaÿe, S. Franko, M. Wulfhorst
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.