Bach: 6 Suites, BWV 1007-1012 (arr. for viola)
Expected to ship in about a week.
- Composer: Johann Sebastian Bach (1685-1750)
- Arranger: Chung Park
- Instrumentation (this edition): Viola
- Originally for: Cello
- ISMN:
- Size: 9.6 x 12.2 inches
- Pages: 73
Description
Bach's Six Suites for Cello solo are among the highlights of eighteenth-century solo string literature. From early on, these pieces have also been performed on the viola – a practice that still enjoys unbroken popularity today.
The source situation regarding the cello suites is complex: Bach's autographs are lost and the surviving sources often contradict each other with regard to phrasing, bowing and other musical details. While most existing viola transcriptions rely on the manuscript copy by Anna Magdalena Bach, this edition follows the manuscript prepared by Johann Nikolaus Schober as well as the anonymous manuscript believed to be commissioned by Johann Traeg more closely because they might reflect later thoughts and elaborations on the Suites by the composer. Chung Park based his arrangement on a thorough study of Bärenreiter's Urtext editions of Bach's Cello Suites and recommends violists to refer to these editions and facsimile resources (BA05217 edited by Douglas Woodfull-Harris and Bettina Schwemer; BA05278 edited by Andrew Talle) for further information on the evaluation of the sources and the comparison of differing readings.
The arranger:
Chung Park is a conductor, violist, and educator who received his professional training at the Peabody Conservatory as well as the University of Miami. He studied viola in Hannover, Germany, with Hatto Beyerle of the Alban Berg Quartet. An experienced performer and educator, Chung Park has taught at several universities, among which the University of Central Florida, Appalachian State University and the University of Chicago, and has delivered masterclasses across the United States. in 2022 he was appointed conductor of St. Olaf Orchestra, St. Olaf College, Minnesota. www.chungpark.com
Works:
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.