{"product_id":"schubert-six-grandes-marches-op-40-d-819-barenreiter","title":"Schubert: Six Grandes Marches, Op. 40, D 819","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Franz Schubert (1797-1828)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Christa Landon\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano 4-Hands\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 6 Grandes Marches et Trios, D 819, Op. 40\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Saddle-Stitch\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006580330\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e12.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e9.4\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 42\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe \"Six Grandes Marches\", Op. 40 – D 819 arguably rank among Schubert's most impressive late works for piano four-hands. He may have composed them during his second stay at Zselíz Castle, where he was engaged as piano teacher to the two countesses Marie-Therese and Karoline Esterházy and wrote numerous piano duets. These musically varied marches appeared in quick succession in two volumes in 1825. Each march features a contrasting lyrical trio section and together they span a range that is highly characteristic of Schubert's personal style – from echoes of military music through summery, carefree passages to the highly dramatic funeral march, the latter exemplified in the \"Grande Marche\" in E-flat Minor No. 5, seemingly anticipating Chopin.\u003c\/p\u003e\n\u003cp\u003eIn the chapter on piano playing in Schubert's day, Mario Aschauer addresses, amongst other things, questions on articulation, pedal use and the execution of ornamentation.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVorwort\u003c\/li\u003e\n\u003cli\u003eHinweise zur Aufführungspraxis\u003c\/li\u003e\n\u003cli\u003ePreface\u003c\/li\u003e\n\u003cli\u003eNotes on Performance Practice\u003c\/li\u003e\n\u003cli\u003eSix Grandes Marches, Op. 40 D 819\u003c\/li\u003e\n\u003cli\u003eI. Allegro maestoso in E-flat Major\u003c\/li\u003e\n\u003cli\u003eII. Allegro ma non troppo in G Minor\u003c\/li\u003e\n\u003cli\u003eIII. Allegretto in B Minor\u003c\/li\u003e\n\u003cli\u003eIV. Allegro maestoso in D Major\u003c\/li\u003e\n\u003cli\u003eV. Andante in E-flat Minor\u003c\/li\u003e\n\u003cli\u003eVI. Allegro con brio in E Major\u003c\/li\u003e\n\u003cli\u003eCritical Commentary\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":46217464119484,"sku":"BA10887","price":40.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/3f152816c95186908458501adf038f55.jpg?v=1776691445","url":"https:\/\/www.barenreiter.us\/fr\/products\/schubert-six-grandes-marches-op-40-d-819-barenreiter","provider":"Barenreiter US","version":"1.0","type":"link"}