{"title":"Beethoven","description":"","products":[{"product_id":"beethoven-string-quartet-in-a-minor-op-132-barenreiter","title":"Beethoven: String Quartet in A Minor, Op. 132","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 15 in A Minor, Op. 132\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006569885\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 64\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAfter years of several personal and creative crises, the last two years of Beethoven's life were marked by an irrepressible creative urge that was directed almost exclusively towards the string quartet genre.\u003c\/p\u003e\n\u003cp\u003eOf all these late works, it is the Quartet in A Minor, Op. 132 that most impressively addresses the overcoming of the depression of the past years. The middle of the five movements is a \"Canzona di ringraziamento\" entitled: \"Holy Song of Thanksgiving of a recovered person to the deity in the Lydian key\".\u003c\/p\u003e\n\u003cp\u003eIn this movement a slow introduction is followed by the heading: \"Feeling renewed strength\". Due to the middle movement full of \"divine power\", this string quartet is certainly one of Beethoven's most emotional compositions.\u003c\/p\u003e\n\u003cp\u003eFor this edition of the Quartet, Op. 132, Beethoven specialist Jonathan Del Mar consulted the autograph as well as several sets of parts corrected by Beethoven, enabling him to correct countless inconsistencies and unconvincing editorial decisions of previous editions.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Set of Parts","offer_id":41431389700284,"sku":"BA9032","price":41.0,"currency_code":"USD","in_stock":true},{"title":"Set of Parts - Digital Download","offer_id":46842547175612,"sku":"BA9032D","price":41.0,"currency_code":"USD","in_stock":true},{"title":"Study Score","offer_id":41431389733052,"sku":"TP932","price":21.75,"currency_code":"USD","in_stock":true},{"title":"Study Score - Digital Download","offer_id":46864664232124,"sku":"TP932D","price":21.75,"currency_code":"USD","in_stock":true},{"title":"Critical Commentary","offer_id":41431389765820,"sku":"BA9032-40","price":60.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/272145d1486697b8f6ffcedbe43096a5.jpg?v=1780009041"},{"product_id":"beethoven-violin-concerto-in-d-major-op-61-barenreiter","title":"Beethoven: Violin Concerto in D Major, Op. 61","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Violin Concerto in D Major, Op. 61\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Perfect\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006525805\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 93\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAs Beethoven left no cadenzas, the cadenzas edition (purchased separately) contain versions not only by Leopold Auer and Joseph Joachim, but also several which are seldom performed, such as those by Ferdinand David, Louis Spohr, Eugène Ysaÿe, Camille Saint-Saëns, Henri Vieuxtemps, Jakob Dont and, for the first time, one by Henryk Wieniawski.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Solo Part with Piano Reduction","offer_id":41431440588988,"sku":"BA9019-90","price":30.75,"currency_code":"USD","in_stock":true},{"title":"Solo Part with Piano Reduction - 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This edition is unique in drawing together for the first time a selection of cadenzas to one of the most famous works in the history of music, written by composers and violinists over 150 years. This publication contains not only the well-known cadenzas by Leopold Auer and Joseph Joachim, but also several which are seldom performed, such as those by Ferdinand David (the first surviving cadenza to, Op. 61), Louis Spohr , Eugène Ysaÿe , Camille Saint-Saëns, Henri Vieuxtemps , Jakob Dont and, for the first time, one by Henryk Wieniawski .\u003c\/p\u003e\n\u003cp\u003eCommentaries (German\/English) on the composers and on performance practice are included. The edition complements the new piano reduction BA 9019a and will be invaluable for all violinists studying Beethovens Violin Concerto.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndispensible for all violinists studying this masterpiece\u003c\/li\u003e\n\u003cli\u003eFirst publication of a cadenza by Wieniawski\u003c\/li\u003e\n\u003cli\u003ewith notes on performance practice\u003c\/li\u003e\n\u003cli\u003ewith an informative, detailed preface (Ger\/Eng)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Cadenzas","offer_id":41431441637564,"sku":"BA9020","price":43.5,"currency_code":"USD","in_stock":true},{"title":"Cadenzas - Digital Download","offer_id":46842855391420,"sku":"BA9020D","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/fbd9bd21fae8bdd683d99187aeb3b107.jpg?v=1780352682"},{"product_id":"beethoven-string-quartet-in-c-sharp-minor-op-131-barenreiter","title":"Beethoven: String Quartet in C-sharp Minor, Op. 131","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet in C-sharp Minor, Op. 131\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006568536\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 84\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eMany anecdotes surround String Quartet, Op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that the composer invested so much of himself in it; his ailing health, the social isolation brought about by his deafness and the suicide attempt of his nephew Karl. in addition it was reported that Franz Schubert asked to hear this piece once more on his deathbed.\u003c\/p\u003e\n\u003cp\u003eEven if these anecdotes are not all true, they reveal what generations of musicians felt they heard in this quartet: Beethoven's most personal musical idiom and a vulnerable message from the final period of his life.\u003c\/p\u003e\n\u003cp\u003eThis edition by Jonathan Del Mar represents a thorough revision of this highly complex work. 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The bagatelle was written between 1808 and 1810. It was first published in 1867 by the Beethoven scholar Ludwig Nohl who still had access to Beethoven's autograph. What has survived, however, is an extensive autograph draft that Beethoven substantially revised around 1822 for a planned but then unrealised collection of bagatelles and which differs significantly from the known printed version.\u003c\/p\u003e\n\u003cp\u003eThe critical edition by the renowned Beethoven scholar Mario Aschauer comes to new conclusions. It offers, in addition to the version of the first printing from 1867, a transcription of Beethoven's draft that makes the changes to the 2nd version visible in grey print as well as a performable completion by the editor of that 2nd version. The work's complicated genesis and source situation are explained in the Preface (Ger\/Eng), and in the Critical Commentary (Eng) differing readings and editorial decisions are discussed. This definite edition with historically-informed fingering invites you on an exciting voyage to rediscover this popular piece!\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431736680636,"sku":"BA11839","price":8.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864815915196,"sku":"BA11839D","price":8.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/18545cb1f6f30b971b0cf2f37693f980.jpg?v=1782302299"},{"product_id":"beethoven-violin-sonata-in-f-major-op-24-spring-sonata-barenreiter","title":"Beethoven: Violin Sonata in F Major, Op. 24 (\"Spring Sonata\")","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Clive Brown\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Violin Sonata in F Major (\"Spring\"), Op. 24\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006568505\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 58\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn May of 1802, the \"Allgemeine musikalische Zeitung\" praised the violin sonatas, Op. 23 and 24 as being \"... among the best Beethoven has written, which is to say that they are among the best being written at all. The composer's original, fiery and bold spirit … becomes more and more apparent now ...\"\u003c\/p\u003e\n\u003cp\u003eThe time during which Beethoven composed his \"Spring Sonata\" was marked by a frantic surge of compositional creativity. \"I live only in my notes, and with one work barely finished, the other is already started; the way I write now I often find myself working on three, four things at the same time.\", he wrote in a letter to Wegeler on 29 June 1801. However during this time, Beethoven also suffered from the rapid deterioration of his hearing, a fact he was still trying to hide and that the enchanting \"Spring Sonata\" which was to become increasingly popular in the course of the 19th century certainly does not divulge.\u003c\/p\u003e\n\u003cp\u003eClive Brown's ground-breaking edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. This edition consists of a score and two individual parts for the violin: an Urtext-part based on the scholarly-critical assessment of all sources, and an annotated part with additional information by Clive Brown based on important topics of historical techniques and practices.\nIn addition to a detailed preface this edition includes information on early editions of this sonata as well as historical metronome markings.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431737401532,"sku":"BA10937","price":22.25,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46869720203452,"sku":"BA10937D","price":22.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/4b163d616d95cc9f16e448a88683777d.jpg?v=1780117560"},{"product_id":"beethoven-violin-sonata-in-a-major-op-47-kreutzer-sonata-barenreiter","title":"Beethoven: Violin Sonata in A Major, Op. 47 (\"Kreutzer Sonata\")","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Clive Brown\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Violin Sonata in A Major (\"Kreutzer Sonata\"), Op. 47\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006568512\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAn autograph fragment of the Violin Sonata, Op. 47 is titled, in Beethoven's hand, \"Sonata mulattica composta per il mulatto Brischdauer, gran pazzo e compositore mulattico\" – meaning \"Mulatto Sonata composed for the mulatto Brischdauer, great madman and mulatto composer\". The genesis of the sonata, which was to become famous under the name \"Kreutzer Sonata\", is closely connected to a visit to Vienna by George Augustus Polgreen Bridgetower (1778–1860), a violinist with an Afro-Caribbean father and a European mother. in the language of that time, his descent made him a mulatto. Beethoven was apparently deeply impressed by Bridgetower's musicality and virtuosic abilities. However, when the sonata was published in 1805, he dedicated it to Rodolphe Kreutzer under the title \"Sonata per il Pianoforte ed uno violino obligato in uno stile molto concertante come d'un concerto\". The work \"in the style of a concerto\" is probably Beethoven's most demanding violin sonata and since the 19th century has formed part of the core repertoire of the great violin virtuosos.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431737532604,"sku":"BA10938","price":33.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46870076489916,"sku":"BA10938D","price":33.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/4665e6a30a2ba1be99296e9a0c6417d6_b902f5e9-3934-4d05-8fac-f8405eb0dc76.jpg?v=1781727737"},{"product_id":"beethoven-violin-sonatas-volume-1-barenreiter","title":"Beethoven: Violin Sonatas - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Clive Brown\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006532964\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart's late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown's scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today's standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven's \"Tempo di Minuetto\" from Sonata, Op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach's \"Versuch über die wahre Art das Clavier zu spielen\" to denote a rest. This musical symbol, which was included in the first edition published during Beethoven's lifetime, has not been addressed in any modern edition to date. in addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eViolin Sonata in D Major, Op. 12, No. 1\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in A Major, Op. 12, No. 2\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in E-flat Major, Op. 12, No. 3\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in A Minor, Op. 23\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in F Major (\"Spring\"), Op. 24\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431740776636,"sku":"BA9014","price":56.25,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46842487898300,"sku":"BA9014D","price":56.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/50907cf5e70bea5bfccf667a7ab0bd9a.jpg?v=1782845950"},{"product_id":"beethoven-violin-sonatas-volume-2-barenreiter","title":"Beethoven: Violin Sonatas - Volume 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Clive Brown\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006532971\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart's late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown's scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today's standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven's \"Tempo di Minuetto\" from Sonata, Op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach's \"Versuch über die wahre Art das Clavier zu spielen\" to denote a rest. This musical symbol, which was included in the first edition published during Beethoven's lifetime, has not been addressed in any modern edition to date. in addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eViolin Sonata in A Major, Op. 30, No. 1\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in C Minor, Op. 30, No. 2\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G Major, Op. 30, No. 3\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in A Major (\"Kreutzer Sonata\"), Op. 47\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G Major, Op. 96\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431740842172,"sku":"BA9015","price":63.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46842646823100,"sku":"BA9015D","price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/e1461e644a5fb62b82c565e203cac2a6.jpg?v=1782858803"},{"product_id":"beethoven-complete-violin-sonatas-barenreiter","title":"Beethoven: Complete Violin Sonatas","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Clive Brown\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006563784\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.4\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart's late sonatas, Beethoven lets the violin part become increasingly independent from the piano part.\u003c\/p\u003e\n\u003cp\u003eNot only does Clive Brown's scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today's standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified.\u003c\/p\u003e\n\u003cp\u003eOne example can be found in Beethoven's \"Tempo di Minuetto\" from Sonata, Op. 30, No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach's \"Versuch über die wahre Art das Clavier zu spielen\" to denote a rest. This musical symbol, which was included in the first edition published during Beethoven's lifetime, has not been addressed in any modern edition to date. in addition, a score through a chord can also not be found in previous modern editions; this denotes an arpeggiated chord.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eViolin Sonata in D Major, Op. 12, No. 1\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in A Major, Op. 12, No. 2\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in E-flat Major, Op. 12, No. 3\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in A Minor, Op. 23\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in F Major (\"Spring\"), Op. 24\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in A Major, Op. 30, No. 1\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in C Minor, Op. 30, No. 2\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G Major, Op. 30, No. 3\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in A Major (\"Kreutzer Sonata\"), Op. 47\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G Major, Op. 96\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431740907708,"sku":"BA9036","price":108.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46842469253308,"sku":"BA9036D","price":108.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/a4bc34251bbec0e59a7d1865f1bea3f3.jpg?v=1782856750"},{"product_id":"beethoven-diabelli-variations-op-120-50-variations-on-a-waltz-barenreiter","title":"Beethoven: Diabelli Variations, Op. 120 \/ 50 Variations on a Waltz","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: Various, Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Mario Aschauer\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006528141\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 175\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's \"Diabelli Variations\", written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach's \"Goldberg Variations\" form one of the most important contributions to this genre. in addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli's call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel. The variations first printed by Diabelli fictively as \"Fatherlandish Union of Artists Part I\" (Beethoven's, Op. 120) and \"Part II\" (the 50 variations of Vienna's \"most excellent composers and virtuosos\") are presented here by Mario Aschauer for the first time in one edition.\u003c\/p\u003e\n\u003cp\u003eFurthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print. A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven's day complete this special Urtext edition based on the most current research.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eBeethoven: Diabelli Variations, Op. 120\u003c\/li\u003e\n\u003cli\u003eVarious: 50 Variations on a Walts (Composed by Vienna's Most Excellent Composers and Virtuosos)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431742873788,"sku":"BA9656","price":53.25,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46870125478076,"sku":"BA9656D","price":53.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/89d81bbc690c7a1107b2f5d14ec4c7d5_2bf09e9d-7fc1-463b-a864-02f41a0f89d8.jpg?v=1782630439"},{"product_id":"beethoven-string-quartet-in-b-flat-major-op-130-and-groe-fugue-op-133-barenreiter","title":"Beethoven: String Quartet in B-flat Major, Op. 130 and Große Fugue, Op. 133","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Critical Commentary\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006566655\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e6.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e9.4\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 34\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eString Quartet in B-flat Major, Op. 130\u003c\/li\u003e\n\u003cli\u003eGroße Fugue, Op. 133\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41431756439740,"sku":"BA9030-40","price":63.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/bcec6a34acae1481d845c88d8dbe6990.jpg?v=1781754666"},{"product_id":"beethoven-horn-sonata-in-f-major-op-17-barenreiter","title":"Beethoven: Horn Sonata in F Major, Op. 17","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Horn Sonata in F Major, Op. 17\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006568918\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 46\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis edition comes with separate parts for horn and cello.\u003c\/p\u003e\n\u003cp\u003eBeethoven wrote his Horn Sonata, Op. 17 for Johann Wenzel, one of the most famous horn players of his day. According to an anecdote from Beethoven's pupil Ferdinand Ries, he only completed it on the day before the première. Nevertheless, the piece was a rousing success. As the horn part demands a masterly technique, the publisher of the first print, Tranquillo Mollo et Comp., issued the piece in 1801 with an alternative part for cello.\u003c\/p\u003e\n\u003cp\u003eSince the autograph score has not survived, Jonathan Del Mar has based his scholarly-critical edition mainly on this first print. Misha Donat provides an informative Foreword on the work's history and genesis (Eng\/Ger) and the edition is rounded off by a Critical Commentary (Eng) with a complete description of the sources as well as a page in facsimile.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431760371900,"sku":"BA10939","price":29.25,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46870076653756,"sku":"BA10939D","price":29.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/2feb83f2b6f3d116290cf63b0237cbfd.jpg?v=1782626304"},{"product_id":"beethoven-an-die-ferne-geliebte-op-98-barenreiter","title":"Beethoven: An die ferne Geliebte, Op. 98","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, High Voice\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: An die ferne Geliebte (To the Distant Beloved), Op. 98\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eGerman\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006566976\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 21\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"My angel, my all, my self\". with these words Beethoven, in July 1812, began his passionate love letter to a woman whose identity has eluded discovery to the present day. Was he perhaps addressing the same woman four years later when he composed \"An die ferne Geliebte\", his song cycle on poems by Alois Jeitteles? Barry Cooper discusses this and many other questions in the Introduction to his new edition of Beethoven's only song cycle. Not only does he present a meticulously edited musical text, he also delves into questions of performance practice that previous critical editions have overlooked.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431761354940,"sku":"BA7862","price":21.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864721576124,"sku":"BA7862D","price":21.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/26758b667c4ca3f01574511130a82a9c.jpg?v=1780258468"},{"product_id":"beethoven-3-piano-quartets-woo-36-barenreiter","title":"Beethoven: 3 Piano Quartets, WoO 36","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Leonardo Miucci\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Quartet (Piano, Violin, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006567270\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e10.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 135\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWhen Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and cello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings.\u003c\/p\u003e\n\u003cp\u003eAlthough Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days – perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text.\u003c\/p\u003e\n\u003cp\u003eBärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Quartet in E-flat Major, WoO 36, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Quartet in D Major, WoO 36, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Quartet in C Major, WoO 36, No. 3\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Score \u0026 Set of Parts","offer_id":41431765450940,"sku":"BA9037","price":68.75,"currency_code":"USD","in_stock":true},{"title":"Score \u0026 Set of Parts - Digital Download","offer_id":46869638512828,"sku":"BA9037D","price":68.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/03f7824ff5892a442dd620d74bcde8bf.jpg?v=1781750933"},{"product_id":"beethoven-diabelli-variations-op-120-barenreiter","title":"Beethoven: Diabelli Variations, Op. 120","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Diabelli Variations, Op. 120\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006528158\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 63\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's \"Diabelli Variations\", written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach's \"Goldberg Variations\" form one of the most important contributions to this genre. in addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli's call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel. The variations first printed by Diabelli fictively as \"Fatherlandish Union of Artists Part I\" (Beethoven's, Op. 120) and \"Part II\" (the 50 variations of Vienna's \"most excellent composers and virtuosos\") are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print. A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven's day complete this special Urtext edition based on the most current research.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431773970620,"sku":"BA9657","price":22.25,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864874700988,"sku":"BA9657D","price":22.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/1b57df643bbb156d5691ce425d5720b8.jpg?v=1781750787"},{"product_id":"beethoven-groe-fugue-op-133-barenreiter","title":"Beethoven: Große Fugue, Op. 133","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Study Score\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006203109\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e6.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e8.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 26\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eEven by today's standards, the Große Fugue is a complicated work and poses a challenge to performers. However it was the first work in music history to include a helpful addition: rehearsal numbers. These were included in the first edition so that during rehearsals musicians could find a common entry without having to start the piece afresh.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41431775707324,"sku":"TP933","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/5855a399beba061e2be306b9b7d9eb5f.jpg?v=1778846398"},{"product_id":"beethoven-string-quartet-in-b-flat-major-op-130-barenreiter","title":"Beethoven: String Quartet in B-flat Major, Op. 130","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet in B-flat Major, Op. 130\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006566648\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 65\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAlthough Beethoven did not live to see the publication of his String Quartets, Op. 130 and, Op. 133, he oversaw the production process, making corrections and putting the works into their final form. The String Quartet, Op. 130 is the longest piece within Beethoven's extensive chamber music oeuvre. Originally, the Große Fugue was meant to be the final movement of Op. 130. Beethoven's conversation books document the separation of the Große Fugue from Op. 130, its replacement by a new finale and its assignment to a new opus number Op. 133.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Set of Parts","offer_id":41431775772860,"sku":"BA9030","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Set of Parts - Digital Download","offer_id":46842544783548,"sku":"BA9030D","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Study Score","offer_id":41431775805628,"sku":"TP00930","price":20.5,"currency_code":"USD","in_stock":true},{"title":"Study Score - Digital Download","offer_id":46864664199356,"sku":"TP930D","price":20.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/36bb5309fd7a533ee6f742cf0cb2503f.jpg?v=1780912281"},{"product_id":"beethoven-variations-on-reich-mir-die-hand-mein-leben-arr-for-violin-viola-flute-barenreiter","title":"Beethoven: Variations on \"Reich mir die Hand, mein Leben\" (arr. for violin, viola \u0026 flute)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Hans-Wolfgang Riedel\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eViolin, Flute, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Flute, Viola\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Variations on \"Reich mir die Hand, mein Leben\", WoO 28\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006483372\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 29\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFlute is meant to played off the score. Violin and viola parts come separate.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41431776002236,"sku":"BA6881","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/dadeacf053a8d91c5bce60c08c3bbef1.jpg?v=1782215516"},{"product_id":"beethoven-coriolan-overture-op-62-arr-for-woodwind-quintet-barenreiter","title":"Beethoven: Coriolan Overture, Op. 62 (arr. for woodwind quintet)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eWind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Coriolan Overture, Op. 62\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006524419\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's Coriolan Overture, composed in 1807 for a performance in Vienna , is particularly well suited for student ensembles and comes with reference score and parts.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41431776035004,"sku":"BA8601","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/b55fc8a3039a068a94c9d2d4f8cc94af.jpg?v=1780105981"},{"product_id":"beethoven-complete-piano-sonatas-volumes-1-3-barenreiter","title":"Beethoven: Complete Piano Sonatas - Volumes 1-3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006567362\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 707\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis 3-volume set, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng\/Ger) which covers all salient editorial issues with regard to Beethoven's notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship!\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Sonata in E-flat Major, WoO 47, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata in F Minor, WoO 47, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata in D Major, WoO 47, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F Minor, Op. 2, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in A Major, Op. 2, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 3 in C Major, Op. 2, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 4 in E-flat Major, Op. 7\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 5 in C Minor, Op. 10, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 6 in F Major, Op. 10, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 7 in D Major, Op. 10, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 8 in C Minor (\"Grande Sonata Pathétique\"), Op. 13\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 9 in E Major, Op. 14, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 10 in G Major, Op. 14, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 11 in B-flat Major, Op. 22\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in A-flat Major, Op. 26\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 13 in E-flat Major, Op. 27, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 14 in C-sharp Minor (\"Moonlight\"), Op. 27, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 15 in D Major (\"Pastorale\"), Op. 28\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 16 in G Major, Op. 31, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 17 in D Minor (\"Tempest\"), Op. 31, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 18 in E-flat Major (\"Hunting\"), Op. 31, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 19 in G Minor, Op. 49, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 20 in G Major, Op. 49, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 21 in C Major (\"Waldstein\"), Op. 53\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 22 in F Major, Op. 54\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 23 in F Minor (\"Appassionata\"), Op. 57\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 24 in F-sharp Major (\"A Thérèse\"), Op. 78\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 25 in G Major, Op. 79\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 26 in E-flat Major (\"Les adieux\"), Op. 81a\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 27 in E Minor, Op. 90\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 28 in A Major, Op. 101\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 29 in in B-flat Major (\"Hammerklavier\"), Op. 106\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 30 in E Major, Op. 109\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 31 in A-flat Major, Op. 110\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 32 in C Minor, Op. 111\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431776100540,"sku":"BA11840","price":149.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":47345452941500,"sku":"BA11840D","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/3ca10f64711af0f36c1a81a716599d5e_d7b32a3f-cb99-48ff-a061-3f733821ff13.jpg?v=1780851334"},{"product_id":"beethoven-complete-critical-commentary-to-all-35-sonatas-barenreiter","title":"Beethoven: Complete Critical Commentary to All 35 Sonatas","description":"\u003cdiv\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eAuthor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e \u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006568185\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e \u003cstrong\u003ePages\u003c\/strong\u003e: 313 \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eAlongside the Urtext edition of Beethoven's 35 piano sonatas which sets new standards for the 21st century, world-renowned Beethoven expert Jonathan Del Mar presents a Critical Commentary to this body of works. With diligence and factual accuracy, he documents readings and editorial decisions, discusses problematic sections and provides answers for questions that have occupied and divided scholars for decades, including Beethoven's notational idiosyncrasies and particular issues relating to performance practice. The Critical Commentary is more than a mere list of findings: It is a fascinating read offering valuable glimpses into Beethoven's compositional process. This scholarly contribution is unparalleled in its precision and indispensable for in-depth studies of Beethoven's piano sonatas.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431779705020,"sku":"BA11840-40","price":197.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864679403708,"sku":"BA11840-40D","price":197.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/42dce833bb63264fc3c33a711b28ca36.jpg?v=1780852792"},{"product_id":"beethoven-piano-sonatas-volume-3-barenreiter","title":"Beethoven: Piano Sonatas - Volume 3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006567393\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 239\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng\/Ger) which covers all salient editorial issues with regard to Beethoven's notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship!\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Sonata No. 22 in F Major, Op. 54\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 23 in F Minor (\"Appassionata\"), Op. 57\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 24 in F-sharp Major (\"A Thérèse\"), Op. 78\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 25 in G Major, Op. 79\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 26 in E-flat Major (\"Les adieux\"), Op. 81a\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 27 in E Minor, Op. 90\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 28 in A Major, Op. 101\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 29 in in B-flat Major (\"Hammerklavier\"), Op. 106\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 30 in E Major, Op. 109\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 31 in A-flat Major, Op. 110\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 32 in C Minor, Op. 111\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431785308348,"sku":"BA11843","price":56.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864883187900,"sku":"BA11843D","price":56.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/f8247113399503e6f10b26e449ebf75e.jpg?v=1780852798"},{"product_id":"beethoven-piano-sonatas-volume-2-barenreiter","title":"Beethoven: Piano Sonatas - Volume 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006567386\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 227\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng\/Ger) which covers all salient editorial issues with regard to Beethoven's notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship!\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Sonata No. 11 in B-flat Major, Op. 22\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 12 in A-flat Major, Op. 26\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 13 in E-flat Major, Op. 27, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 14 in C-sharp Minor (\"Moonlight\"), Op. 27, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 15 in D Major (\"Pastorale\"), Op. 28\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 16 in G Major, Op. 31, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 17 in D Minor (\"Tempest\"), Op. 31, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 18 in E-flat Major (\"Hunting\"), Op. 31, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 19 in G Minor, Op. 49, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 20 in G Major, Op. 49, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 21 in C Major (\"Waldstein\"), Op. 53\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431785373884,"sku":"BA11842","price":56.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864826826940,"sku":"BA11842D","price":56.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/1edaccabb6d82d649301f5ea345d122b.jpg?v=1780852805"},{"product_id":"beethoven-piano-sonatas-volume-1-barenreiter","title":"Beethoven: Piano Sonatas - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006567379\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 241\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng\/Ger) which covers all salient editorial issues with regard to Beethoven's notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship!\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Sonata in E-flat Major, WoO 47, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata in F Minor, WoO 47, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata in D Major, WoO 47, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F Minor, Op. 2, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in A Major, Op. 2, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 3 in C Major, Op. 2, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 4 in E-flat Major, Op. 7\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 5 in C Minor, Op. 10, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 6 in F Major, Op. 10, No. 2\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 7 in D Major, Op. 10, No. 3\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 8 in C Minor (\"Grande Sonata Pathétique\"), Op. 13\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 9 in E Major, Op. 14, No. 1\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 10 in G Major, Op. 14, No. 2\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431785472188,"sku":"BA11841","price":56.75,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864825876668,"sku":"BA11841D","price":56.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/3a9a4cc117b27f67a5ddd1f6e1832a10.jpg?v=1780852633"},{"product_id":"beethoven-missa-solemnis-op-123-barenreiter","title":"Beethoven: Missa solemnis, Op. 123","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir, Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Missa solemnis in D Major, Op. 123 (SATB Solos)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eLatin\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006563845\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 146\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven described his grandly conceived \"Missa solemnis\" as \"my greatest work\" and sold manuscript copies to some of the subscribers even before it had appeared in print.\u003c\/p\u003e\n\u003cp\u003eThis Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. in several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the \"Sanctus\", where the choir enters instead of the soloists, rather than coming in at \"Pleni sunt coeli\". No less worthy of mention is the addition of the soloists to the choir in most of the \"Credo\". These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).\u003c\/p\u003e\n\u003cp\u003eThe appendix contains Beethoven's arrangement of the Gregorian chant \"Tantum ergo\" for the first time. This was composed at the same time as the \"Missa solemnis\" and most probably stands in a close relation to it.\u003c\/p\u003e\n\u003cp\u003eThis edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Vocal Score","offer_id":41431798055100,"sku":"BA9038-90","price":29.5,"currency_code":"USD","in_stock":true},{"title":"Vocal Score - Digital Download","offer_id":46842549862588,"sku":"BA9038-90D","price":29.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":41431798087868,"sku":"BA9038","price":134.25,"currency_code":"USD","in_stock":true},{"title":"Full Score - Digital Download","offer_id":46843711914172,"sku":"BA9038D","price":134.25,"currency_code":"USD","in_stock":true},{"title":"Violin I","offer_id":41431798120636,"sku":"BA9038-74","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Violin II","offer_id":41431798153404,"sku":"BA9038-75","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Viola","offer_id":41431798186172,"sku":"BA9038-79","price":11.25,"currency_code":"USD","in_stock":true},{"title":"Cello","offer_id":41431798218940,"sku":"BA9038-82","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Basso","offer_id":41431798251708,"sku":"BA9038-85","price":11.5,"currency_code":"USD","in_stock":true},{"title":"Wind Set: 2.2.2.2+1 – 4.2.3.0 – timp","offer_id":41431798284476,"sku":"BA9038-65","price":136.5,"currency_code":"USD","in_stock":true},{"title":"Organ","offer_id":41431798317244,"sku":"BA9038-67","price":27.5,"currency_code":"USD","in_stock":true},{"title":"Choral Score","offer_id":41431798350012,"sku":"BA9038-91","price":21.75,"currency_code":"USD","in_stock":true},{"title":"Choral Score - Digital Download","offer_id":46864727834812,"sku":"BA9038-91D","price":21.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/2a5748498c19af6f2ba08ee7cfd1dc6a.jpg?v=1780852141"},{"product_id":"beethoven-piano-sonata-no-32-in-c-minor-op-111-barenreiter","title":"Beethoven: Piano Sonata No. 32 in C Minor, Op. 111","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 32 in C Minor, Op. 111\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006561865\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 42\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn late 1821 Beethoven began work on his final piano sonata op. 111 which has been considered a towering masterwork ever since its publication. Thomas Mann gave it a literary monument in his novel \"Doctor Faustus\" in whose musical-theoretical digressions the main motif of the \"Arietta\" is set to the syllables \"Wiesengrund\", the middle name of Theodor W. Adorno. Jonathan Del Mar has re-examined the convoluted source material, including the proof sheets and errata lists that accompanied its publication. Supplementing the meticulously edited text is a detailed Critical Commentary, an informative Introduction and valuable notes on performance practice.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431798546620,"sku":"BA11813","price":17.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864929521852,"sku":"BA11813D","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/5f4de22c5d4f5e36e46695563edd1bde_8b8477e2-3394-4e37-9284-588a9fe37234.jpg?v=1781441324"},{"product_id":"beethoven-around-the-world-barenreiter","title":"Beethoven Around the World","description":"\u003cul\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006566112\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 27\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven often incorporated musical influences from other countries in his works. Jean Kleeb has picked up on this idea and developed it further in these arrangements for piano solo. in his tributes to Beethoven he emphasizes ethnic attributes such as \"alla turca\" or he coaxes exotic rhythms out of certain works with playful exaggeration. At other times, he simply enjoys demonstrating the stark differences between the \"classical\" piano piece and world music. Enjoy pieces in samba style, with Cuban rhythms or jazzy-Arabic-like scales. These pieces are fun to play, making Jean Kleeb's \"Beethoven Around the World\" a true musical pleasure. About the composer: When it comes to music, Jean Kleeb is a globetrotter. A Brazilian of Swiss descent, he has been living in Germany for many years. Travelling the world with his music, he is always seeking new sources of musical inspiration. As a composer, pianist, choral conductor and lecturer, he regularly amazes and entertains his audiences with his boundless musicality and compositional ease.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431801495740,"sku":"BA10931","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864745922748,"sku":"BA10931D","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/0e9555600fae4a4c39406a3161a035f0.jpg?v=1781441210"},{"product_id":"beethoven-piano-sonata-no-31-in-a-flat-major-op-110-barenreiter","title":"Beethoven: Piano Sonata No. 31 in A-flat Major, Op. 110","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 31 in A-flat Major, Op. 110\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006561858\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 35\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eOwing to severe illness, Beethoven had to wait for over a year after completing, Op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat Major, Op. 110. The initial sketches date from summer 1821; the work was completed by the end of the year and appeared in print the following summer. for this new edition Jonathan Del Mar consulted all known sources and came across previously unknown information in the course of his research. The edition appears with a meticulously edited and elegantly engraved musical text incorporating the latest findings of scholarship, supplemented by a detailed Critical Commentary and notes on performance practice in Beethoven's day.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431801561276,"sku":"BA11812","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864930308284,"sku":"BA11812D","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/9ce14c30b07ed4e427a52cd518db18ca.jpg?v=1780852607"},{"product_id":"beethoven-leonore-overture-no-3-barenreiter","title":"Beethoven: Leonore Overture No. 3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Leonore Overture No. 3 in C Major, Op. 72b\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006566594\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 50\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eOf the four overtures that Beethoven composed for his only opera, the \"Leonore Overture\" No. 3 is the most popular. The first reviewer found fault with it for its \"incessant dissonances and overblown fluttering of the violins\" (Wiener Theater-Zeitung, 1806), but it soon became famous as \"one of the most imposing, difficult, yet richest and strangest of compositions\" (Allgemeine Musikalische Zeitung, 1810). This version of the \"Leonore Overture\" quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.\u003c\/p\u003e\n\u003cp\u003eThe editor has devoted herself to the complex genesis of the various \"Leonore Overture\" versions, in particular the question whether the trumpet call in measures 272–277 and 294–299 should be played by one or two instruments.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Full Score","offer_id":41431802052796,"sku":"BA8833","price":60.0,"currency_code":"USD","in_stock":true},{"title":"Violin I","offer_id":41431802085564,"sku":"BA8833-74","price":10.25,"currency_code":"USD","in_stock":true},{"title":"Violin II","offer_id":41431802118332,"sku":"BA8833-75","price":10.25,"currency_code":"USD","in_stock":true},{"title":"Viola","offer_id":41431802151100,"sku":"BA8833-79","price":10.25,"currency_code":"USD","in_stock":true},{"title":"Cello","offer_id":41431802183868,"sku":"BA8833-82","price":10.25,"currency_code":"USD","in_stock":true},{"title":"Double Bass","offer_id":41431802216636,"sku":"BA8833-85","price":10.25,"currency_code":"USD","in_stock":true},{"title":"Wind Set: 2.2.2.2 – 4.3.3.0 – timp","offer_id":41431802249404,"sku":"BA8833-65","price":93.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/ed42a51050542c1d10dfde2e1b3887fa.jpg?v=1750124457"},{"product_id":"beethoven-piano-sonata-no-30-in-e-major-op-109-barenreiter","title":"Beethoven: Piano Sonata No. 30 in E Major, Op. 109","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 30 in E Major, Op. 109\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006561889\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 34\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms. Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed \"Sonata for the Hammerklavier\" in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions. in addition to a reader-friendly engraving and practical page-turns, the edition is rounded off with an informative Introduction and valuable notes on historical performance practice.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431802806460,"sku":"BA10854","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864878239932,"sku":"BA10854D","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/a2972315c68f820314ead6f31f02aa97.jpg?v=1780852533"},{"product_id":"beethoven-goes-jazz-barenreiter","title":"Beethoven Goes Jazz","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eArranger\u003c\/strong\u003e: Jean Kleeb (1964-)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006566129\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 31\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eLudwig van Beethoven had the ability to create an entire musical universe from the most unassuming and minuscule motif. No classical composer worked more consciously with rhythm than Beethoven: his unmistakable \"drive\" can be felt in every bar! Here familiar \"Beethoven themes\" are merged, liberated, shuffled, filtered and recombined with jazz harmonies, standard styles and rhythms. Jean Kleeb's arrangements sometimes closely follow the original, at other times they comment on or recall Beethoven's music from afar.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431804739772,"sku":"BA10930","price":26.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864882860220,"sku":"BA10930D","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/bba388d8347ddd0c02631b4df4d7145a.jpg?v=1780642105"},{"product_id":"beethoven-piano-sonata-no-29-in-b-flat-major-hammerklavier-op-106-barenreiter","title":"Beethoven: Piano Sonata No. 29 in B-flat Major (\"Hammerklavier\"), Op. 106","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 29 in in B-flat Major (\"Hammerklavier\"), Op. 106\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006561834\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 72\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"Here's a sonata that will challenge pianists and that one will be able to play in 50 years\": thus Beethoven is said to have written to his publisher Artaria regarding his mighty \"Hammerklavier\" Sonata op. 106. Given its monumental scale and extreme musical and pianistic demands, the term \"Grande Sonata\" seems almost an understatement. Dedicated to Archduke Rudolph of Austria, this sonata is famous not least for the seemingly unplayable autograph metronome marks in the opening movement and final fugue – not the only matter on which the editor offers new explanation. Nothing is uncomplicated in this pinnacle of the classical-romantic piano sonata, composed in \"adverse circumstances\" from 1817 to 1819. Even the sources pose supreme editorial challenges.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431804838076,"sku":"BA11810","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864880697532,"sku":"BA11810D","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/6598daeec13bc6b4b1cfce3637f1e9ec.jpg?v=1780641663"},{"product_id":"beethoven-piano-sonata-no-11-in-b-flat-major-op-22-barenreiter","title":"Beethoven: Piano Sonata No. 11 in B-flat Major, Op. 22","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 11 in B-flat Major, Op. 22\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006561766\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 33\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposed in 1800 and published as a \"Grande Sonata\", Beethoven's Piano Sonata in B-flat major op. 22 marks the end of his first creative period. The only surviving handwritten source is a copyist's manuscript that served as an engraver's copy but which conflicts in many details with the original print. Beethoven held this sonata in especially high regard, proudly calling it \"a real challenge\" in a letter of 15 January 1801 to his publisher Franz Anton Hoffmeister. Indeed, it manifests the quintessence of classical formal principles: its proportions are balanced, its four-movement structure consummately designed.It poses high demands on flawless technical brilliance and lightness of execution.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431807361212,"sku":"BA11803","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864929915068,"sku":"BA11803D","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/44dcaf5a608408c07504c853b1137239.jpg?v=1780640669"},{"product_id":"beethoven-piano-sonata-no-22-in-f-major-op-54-barenreiter","title":"Beethoven: Piano Sonata No. 22 in F Major, Op. 54","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Sonata No. 22 in F Major, Op. 54\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006561797\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 21\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBeethoven's Sonata in F major op. 54 was written in 1804, just after the highly virtuosic \"Waldstein\" Sonata and before the \"Appassionata\" Sonata, and has unjustly stood in the shadow of its predecessor and successor ever since. Its two movements are characterized by the friction between traditional form and creative abandon. While the opening movement marked \"In Tempo d'un Menuetto\" plays with Baroque gestures and a sharply contrasting, metrically distorted \"Trio\", the toccata-like \"Allegretto\" fluctuates between etude and sonata form. The unusual construction of the sonata caused perplexity even with notable critics who found themselves at a loss, unable to recognize the master. As such the work remains somewhat an insider tip until today, a treasure to be discovered.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Printed Edition","offer_id":41431808082108,"sku":"BA11806","price":13.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":46864929947836,"sku":"BA11806D","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/bdbdb0ca6d845b8033af242124e53a05.jpg?v=1780640673"},{"product_id":"beethoven-the-9-symphonies-barenreiter","title":"Beethoven: The 9 Symphonies","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006540952\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.8\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.7\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 1,186\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBetween 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eSymphony No. 1 in C Major, Op. 21\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2 in D Major, Op. 36\u003c\/li\u003e\n\u003cli\u003eSymphony No. 3 in E-flat Major (\"Eroica\"), Op. 55\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in B-flat Major, Op. 60\u003c\/li\u003e\n\u003cli\u003eSymphony No. 5 in C Minor, Op. 67\u003c\/li\u003e\n\u003cli\u003eSymphony No. 6 in F Major (\"Pastorale\"), Op. 68\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in A Major, Op. 92\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in D Minor (\"Choral\"), Op. 125\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Set of Full Scores in a Slipcase","offer_id":41431809294524,"sku":"BA9000","price":487.0,"currency_code":"USD","in_stock":true},{"title":"Set of Study Scores in A Slipcase","offer_id":41431809327292,"sku":"TP900","price":159.0,"currency_code":"USD","in_stock":true},{"title":"Set of Full Scores in a Slipcase - Digital Download","offer_id":47345453859004,"sku":"BA9000D","price":487.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/2653df5f048f4fa20deb9280948d5216.jpg?v=1780107116"},{"product_id":"beethoven-the-5-piano-concertos-barenreiter","title":"Beethoven: The 5 Piano Concertos","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Ludwig van Beethoven (1770-1827)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jonathan Del Mar (1951-)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Study Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Piano Reduction\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Orchestra\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006205479\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e6.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e9.3\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 461\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAll five piano concerto study scores in a boxed set!\u003c\/p\u003e\n\u003cp\u003eThe musical text reflects a judicious study of every surviving source, producing an Urtext edition at the very highest level.\u003c\/p\u003e\n\u003cp\u003eRounding off the edition are an informative Introduction by Beethoven scholar Barry Cooper on the genesis of the works and a Foreword by the renowned editor Jonathan Del Mar describing the sources and the editorial approach.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Concerto No. 1 in C Major, Op. 15\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 2 in B-flat Major, Op. 19\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 3 in C Minor, Op. 37\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 4 in G Major, Op. 58\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in E-flat Major (\"Emperor\"), Op. 73\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41431817027772,"sku":"TP920","price":95.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/2dd181c8153398983ecb9af34b460f11.jpg?v=1780640712"}],"url":"https:\/\/www.barenreiter.us\/fr\/collections\/beethoven.oembed?page=3","provider":"Barenreiter US","version":"1.0","type":"link"}