{"product_id":"nurnberger-meistergesang-barenreiter","title":"Nürnberger Meistergesang","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Klaus Kramer, Horst Brunner\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eGerman\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eText language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eGerman\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006581726\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.4\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e6.7\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 187\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIt is not generally known that the names of the singers appearing in Richard Wagner's \"Die Meistersinger von Nürnberg\" are not purely fictional but are based on historically documented individuals. Wagner drew them from his most important source for the historical details of the work: the \"Buch von der Meistersinger Holdseligen Kunst\", published in 1697 by Professor Johann Christoph Wagenseil, who taught at the Imperial City University of Altdorf and was personally familiar with the Nuremberg tradition of \"Meistergesang\" (master singing).\u003c\/p\u003e\n\u003cp\u003eThe Meistersingers appearing in Wagner's opera—Pogner, Vogelgesang, Nachtigall, Beckmesser, Kothner, Zorn, Eißlinger, Moser, Ortel, Schwarz and Foltz—were, however, not contemporaries of Hans Sachs (1494–1576). Rather, they were earlier, historically documented members of the Nuremberg Meistersinger Guild, whose existence is attested from the early fifteenth century onwards. Furthermore, it is little known that melodies associated with the specific \"Töne\" composed by almost all of these Meistersingers have survived. The term \"Töne\" refers to the characteristic stanza structures and melodies in which the Meisterlieder were composed throughout the history of this art form, which continued into the eighteenth century.\u003c\/p\u003e\n\u003cp\u003eThis edition brings together all 61 melodies preserved in manuscripts dating from the fifteenth to the eighteenth centuries and attributed to 14 Nuremberg Meistersingers from the period before Hans Sachs. Different versions are presented synoptically in modern notation. The edition is supplemented by an introduction and a critical report.\u003c\/p\u003e\n\u003cp\u003eTogether with the volume \"Spruchsang\" (Monumenta Monodica Medii Aevi VI), published in 2010, the musical tradition of Middle High German \"Sangspruch\" poetry and early \"Meistergesang\" is now fully available in new editions. This work is intended equally for musicologists and scholars of German studies. in addition, it offers performers the opportunity to expand their repertoire using an edition that is easy to use, while remaining firmly grounded in scholarship.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEinleitung\u003c\/li\u003e\n\u003cli\u003eVerzeichnis der Quellen and Siglen\u003c\/li\u003e\n\u003cli\u003eHeinrich Barz:\u003c\/li\u003e\n\u003cli\u003eLanger Ton\u003c\/li\u003e\n\u003cli\u003eSixt Beckmesser:\u003c\/li\u003e\n\u003cli\u003eChorweise\u003c\/li\u003e\n\u003cli\u003eGoldener or Überzarter Ton\u003c\/li\u003e\n\u003cli\u003eNeuer Ton\u003c\/li\u003e\n\u003cli\u003eHans Bogner:\u003c\/li\u003e\n\u003cli\u003eSteigweise\u003c\/li\u003e\n\u003cli\u003eHieronymus Drabolt:\u003c\/li\u003e\n\u003cli\u003eGoldene Tagreise\u003c\/li\u003e\n\u003cli\u003eLinder Ton\u003c\/li\u003e\n\u003cli\u003eUlrich Eislinger:\u003c\/li\u003e\n\u003cli\u003eLanger Ton\u003c\/li\u003e\n\u003cli\u003eMaienweise\u003c\/li\u003e\n\u003cli\u003eÜberlanger Ton\u003c\/li\u003e\n\u003cli\u003eHans Folz:\u003c\/li\u003e\n\u003cli\u003eAbenteuerweise\u003c\/li\u003e\n\u003cli\u003eBaumton\u003c\/li\u003e\n\u003cli\u003eBlutton\u003c\/li\u003e\n\u003cli\u003eChorweise\u003c\/li\u003e\n\u003cli\u003eFeielweise\u003c\/li\u003e\n\u003cli\u003eFreier Ton\u003c\/li\u003e\n\u003cli\u003eGeteilter Ton (Teilton)\u003c\/li\u003e\n\u003cli\u003eHahnenkrähweise\u003c\/li\u003e\n\u003cli\u003eHoher Ton\u003c\/li\u003e\n\u003cli\u003eKettenton\u003c\/li\u003e\n\u003cli\u003eLanger Ton\u003c\/li\u003e\n\u003cli\u003ePassionalweise\u003c\/li\u003e\n\u003cli\u003eSchrankweise\u003c\/li\u003e\n\u003cli\u003eStrafweise\u003c\/li\u003e\n\u003cli\u003eTagweise\u003c\/li\u003e\n\u003cli\u003eFritz Kettner:\u003c\/li\u003e\n\u003cli\u003eFrauenton\u003c\/li\u003e\n\u003cli\u003eHoher Ton\u003c\/li\u003e\n\u003cli\u003eOsterweise (Fassung A)\u003c\/li\u003e\n\u003cli\u003eFrauenlob, Verholener Ton (= Osterweise Fassung B)\u003c\/li\u003e\n\u003cli\u003eParatreihen\u003c\/li\u003e\n\u003cli\u003eKonrad Nachtigall:\u003c\/li\u003e\n\u003cli\u003eAbendton\u003c\/li\u003e\n\u003cli\u003eAbgeschiedener Ton (Geschiedener Ton)\u003c\/li\u003e\n\u003cli\u003eGeteilter Ton\u003c\/li\u003e\n\u003cli\u003eHoher Ton\u003c\/li\u003e\n\u003cli\u003eKurze Tagweise\u003c\/li\u003e\n\u003cli\u003eKurzer Ton\u003c\/li\u003e\n\u003cli\u003eLanger Ton\u003c\/li\u003e\n\u003cli\u003eLeidton\u003c\/li\u003e\n\u003cli\u003eSanfter Ton\u003c\/li\u003e\n\u003cli\u003eStarker Ton\u003c\/li\u003e\n\u003cli\u003eLienhard Nunnenbeck:\u003c\/li\u003e\n\u003cli\u003eAbgeschiedener Ton\u003c\/li\u003e\n\u003cli\u003eGoldene Schlagweise\u003c\/li\u003e\n\u003cli\u003eHammerweise\u003c\/li\u003e\n\u003cli\u003eKurzer Ton\u003c\/li\u003e\n\u003cli\u003eLanger Ton\u003c\/li\u003e\n\u003cli\u003eZeherweise\u003c\/li\u003e\n\u003cli\u003eHermann Örtel:\u003c\/li\u003e\n\u003cli\u003eLanger Ton\u003c\/li\u003e\n\u003cli\u003eLeidton\u003c\/li\u003e\n\u003cli\u003eHans Schwarz:\u003c\/li\u003e\n\u003cli\u003eVermahnter Ton\u003c\/li\u003e\n\u003cli\u003eCaspar Singer:\u003c\/li\u003e\n\u003cli\u003eFreier Ton\u003c\/li\u003e\n\u003cli\u003eHeller Ton\u003c\/li\u003e\n\u003cli\u003eLanger Ton\u003c\/li\u003e\n\u003cli\u003eLieber Ton\u003c\/li\u003e\n\u003cli\u003eSchlechter Ton\u003c\/li\u003e\n\u003cli\u003eKunz Vogelsang:\u003c\/li\u003e\n\u003cli\u003eGoldener Ton\u003c\/li\u003e\n\u003cli\u003eFritz Zorn:\u003c\/li\u003e\n\u003cli\u003eGreferei\u003c\/li\u003e\n\u003cli\u003eUnbenannter Ton\u003c\/li\u003e\n\u003cli\u003eVerborgener Ton\u003c\/li\u003e\n\u003cli\u003eVerhohlener Ton\u003c\/li\u003e\n\u003cli\u003eZugweise\u003c\/li\u003e\n\u003cli\u003eKritischer Bericht\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":67775301255341,"sku":"BA5729","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/2823\/8524\/files\/3e0b1ce2b4194f4c4b063230ca314992.jpg?v=1793309482","url":"https:\/\/www.barenreiter.us\/es\/products\/nurnberger-meistergesang-barenreiter","provider":"Barenreiter US","version":"1.0","type":"link"}