Schubert: Lieder - Volume 6
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- Composer: Franz Schubert (1797-1828)
- Editor: Walther Dürr (1932-2018)
- Instrumentation: Piano, Voice
- Work Language: German
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 164
- Urtext / Critical Edition
Description
The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. with Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe. Schubert, during this period an assistant teacher at his fathers school, orientated himself towards the so-called Berliner Liederschule, particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.
Works:
- Nachtgesang, D 119
- Trost in Tränen, D 120
- Ammenlied, D 122
- Sehnsucht, D 123
- Am See, D 124
- Szene aus "Faust" (second version), D 126
- Don Gayseros, D 93
- Ballade, D 134, Op. 126
- Klage um Ali Bey, D 496A
- Der Mondabend, D 141, Op. posth. 131, No. 1
- Genügsamkeit, D 143, Op. posth. 109, No. 2
- Der Sänger (second version), D 149, Op. posth. 117
- Lodas Gespenst, D 150
- Auf einen Kirchhof, D 151
- Minona, D 152
- Als ich sie erröten sah, D 153
- Das Bild, D 155, Op. posth. 165, No. 3
- Die Erwartung (second version), D 159, Op. post. 116
- Sängers Morgenlied (first setting), D 163
- Sängers Morgenlied (second setting), D 165
- Amphiaraos, D 166
- Gebet während der Schlacht (first version), D 171
- Das war ich, D 174
- Die Sterne, D 176
- Vergebliche Liebe, D 177, Op. posth. 173, No. 3
- Liebesrausch, D 179
- Sehnsucht der Liebe, D 180
- Szene aus "Faust" (first version), D 126
- Der Sänger, D 149
- Die Erwartung (first version), D 159
- Gebet während der Schlacht (second version), D 171
- Am See (lower transcription), D 124
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Schubert: Lieder - Volume 6
