Schubert: Lieder - Volume 10
In stock and typically ships within 1 business day.
- Composer: Franz Schubert (1797-1828)
- Editor: Walther Dürr (1932-2018)
- Instrumentation (this edition): Piano, High Voice
- Originally for: Piano, Voice
- Work Language: German
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 171
- Urtext / Critical Edition
Description
Volume 10 of the new Urtext edition of Schubert's lieder contains works composed between September 1816 and August 1817. Above all, the collaboration with his friend, the poet Johann Mayrhofer, was decisive for Schubert's development as a lieder composer in these months.
Works:
- Liedesend, D 473
- Lied des Orpheus, als er in die Hölle ging, D 474
- Abschied: Nach einer Wallfahrts-Arie bearbeitet, D 475
- Rückweg, D 476
- Alte Liebe rostet nie, D 477
- Der Sänger am Felsen, D 482
- Lied ("Ferne von der großen Stadt"), D 483
- Der Hirt, D 490
- Geheimnis, D 491
- Zum Punsche, D 492
- Abendlied der Fürstin, D 495
- Bei dem Grabe meines Vaters, D 496
- Abendlied ("Der Mond ist aufgegangen"), D 499
- Phidile, D 500
- Zufriedenheit (1st version), D 362
- Zufriedenheit (2nd Version), D 501
- Herbstlied ("Bunt sind schon die Wälder"), D 502
- Mailied ("Grüner wird die Au"), D 503
- Skolie ("Mädchen entsiegelten"), D 507
- Lebenslied ("Kommen and Scheiden"), D 508
- Leiden der Trennung, D 509
- Die Blumensprache, D 519
- Frohsinn, D 520
- Die Liebe ("Wo weht der Liebe hoher Geist?"), D 522
- Trost ("Nimmer lange weil' ich hier"), D 523
- Fahrt zum Hades, D 526
- La pastorella al prato, D 528
- An eine Quelle, D 530, Op. posth. 109, No. 3
- Das Lied vom Reifen, D 532
- Täglich zu singen, D 533
- Die Nacht, D 534
- Philoktet, D 540
- Der Jüngling and der Tod, D 545
- Orest auf Tauris, D 548
- Pax vobiscum, D 551
- Uraniens Flucht, D 554
- Schweizerlied, D 559
- Liebhaber in allen Gestalten, D 558
- Der Goldschmiedsgesell, D 560
- Nach einem Gewitter, D 561
- Fischerlied (1st Version), D 351
- Fischerlied (2nd Version), D 562
- Die Einsiedelei (1st Version), D 393
- Die Einsiedelei (2nd Version), D 563
- Der Strom, D 565
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.