Berwald: Estrella de Soria
Complete Works 17a-c
Expected to ship in about a week.
- Composer: Franz Berwald (1796-1868)
- Editor: Nils Castegren
- Format: Full Score – Complete Edition
- Instrumentation: Opera
- Work: Estrella de Soria
- Binding: Hardcover
- ISMN:
- Size: 10.4 x 13.0 inches
- Pages: 2,063
- Urtext / Critical Edition
Description
Contents:
- Teilband a / Volume a:
- Zur Ausgabe / Editorial Note
- Vorwort / Preface
- Faksimile: Affiche der Erstaufführung / Poster announcing the first performance
- Faksimile: Erste Seite des ersten Aktes in der Fassung von 1841 / First page of the first act in the version of 1841
- Faksimile: Erster Akt, erste Seite des Finales / First act, first page of the finale
- Faksmile: Zweiter Akt, No. 19, "Quartetto", T. 29-31 / Second act, No. 19, "Quartetto", bars 29-31
- Faksimile: Erste Seite einer autographen Klavierskizze aus "Donna Isabella" / First page of an autographic piano sketch from "Donna Isabella"
- Personenverzeichnis and Orchesterbesetzung / Cast and Orchestration
- Nummernverzeichnis (Akte 1 and 2) / Index of Numbers (Acts 1 and 2)
- Ouverture
- Erster Akt / First Act
- Zeiter Akt / Second Act
- Teilband b / Volume b:
- Personen / Cast
- Orchesterbesetzung / Orchestration
- Nummernverzeichnis (Akt 3) / Index of Numbers (Act 3)
- Dritter Akt / Third Act
- Teilband c / Volume c:
- Einleitung / Introduction
- Critical Commentary:
- Abbreviations
- I. General Notes
- II. Sources
- III. Notes on the Sources: the "final" version, BwGA 17a-b
- Errata to BwGA 17a-b
- Remarks to the printed vocal score of 1883
- Textbooks. German version and Swedish translation of 1861
- Anhang / Appendix A:
- I. in der "endgültigen" Fassung, BwGA 17a-b, ersetzte or ausgelassene Abschnitte / Sections replaced or omitted in the "final" version, BwGA 17a-b
- II. Skizzen / Sketches
- III. Critical Commentary: 1. General Notes / 2. Notes on the Sources: sections replaced or omitted in the "final" version; sketches
- Anhang / Appendix B: Stor Polonaise. BwGA No. 21 (Balletto), Fassung von / version of 1843:
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- General Commentary and Sources
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- Critical Notes
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.