Beethoven: Piano Sonatas - Volume 1 (WoO 47 and Opp. 2-14)
Expected to ship in about a week.
- Composer: Ludwig van Beethoven (1770-1827)
- Editor: Jonathan Del Mar (1951-)
- Fingering: Marc-André Hamelin (1961-)
- Instrumentation: Piano
- ISMN:
- Size: 9.6 x 12.2 inches
- Pages: 241
- Urtext / Critical Edition
Description
"... it will be a long time before anyone materially improves upon this text and its accompanying critical apparatus!" (Leslie Howard). with his edition of Beethoven's piano sonatas, Jonathan Del Mar has set new editorial standards that go far beyond the mere discovery of wrong notes: His approach guarantees a critical study of the sources, based solely on the evaluation of the physically tangible sources themselves and dispensing with hypotheses. Long awaited, Bärenreiter now presents the Del Mar edition with fingering.
The fingering by the prominent pianist Marc-André Hamelin aims to make the tonal nuances audible that were intended by Beethoven through specific articulation, phrasing, dynamics and tempo, also in combination with the use of pedalling. Another important aspect of the fingering is to support the interaction of arms, hands and fingers to master technically difficult passages.
Works:
- Piano Sonata in E-flat Major, WoO 47, No. 1
- Piano Sonata in F Minor, WoO 47, No. 2
- Piano Sonata in D Major, WoO 47, No. 3
- Piano Sonata No. 1 in F Minor, Op. 2, No. 1
- Piano Sonata No. 2 in A Major, Op. 2, No. 2
- Piano Sonata No. 3 in C Major, Op. 2, No. 3
- Piano Sonata No. 4 in E-flat Major, Op. 7
- Piano Sonata No. 5 in C Minor, Op. 10, No. 1
- Piano Sonata No. 6 in F Major, Op. 10, No. 2
- Piano Sonata No. 7 in D Major, Op. 10, No. 3
- Piano Sonata No. 8 in C Minor ("Grande Sonata Pathétique"), Op. 13
- Piano Sonata No. 9 in E Major, Op. 14, No. 1
- Piano Sonata No. 10 in G Major, Op. 14, No. 2
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Beethoven: Piano Sonatas - Volume 1 (WoO 47 and Opp. 2-14)
