Rudolf Dost
Organ Music for Ascension of Christ, Pentecost and Trinity
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Bärenreiter | SKU:
BA11237
- Composers: Rudolf Dost (1877-1948), Gustav Flügel (1812-1900), Sigfrid Karg-Elert (1877-1933), Moritz Brosig (1815-1887), Filippo Capocci (1840-1911), Arnold Mendelssohn (1855-1933), Waldemar von Baußnern (1866-1931), Karl Hasse (1883-1960), Paul Kickstat (1893-1959), Max Gulbins (1862-1932), Carl Karow (1790-1863), Otto Dienel (1839-1905), Robert Frenzel (1850-1928), Theophil Forchhammer (1847-1923), Karl Hoyer (1891-1936), Johann Georg Herzog (1822-1909), Johannes Weyhmann (1887-1931), Wilhelm Rudnick (1850-1927), Michael Gotthard Fischer (1773-1829), Immanuel Faißt (1823-1894), Franz Wagner (1856-1908), Hans Fährmann (1860-1940)
- Instrumentation: Organ
- ISMN:
- Size: 9.2 x 11.8 inches
- Pages: 88
Works:
- Dost: Chorale prelude on "Christ ascended to Heaven"
- Flügel: Chorale prelude on "On Christ's Ascension into Heaven alone"
- Karg-Elert: Chorale prelude on "Jesus Christ reigns as King", From Op. 15
- Brosig: Chorale prelude on "Come, Holy Spirit, Lord God"
- Capocci: Fantasy
- A. Mendelssohn: Chorale prelude on "Come, Holy Spirit, Lord God"
- Baußnern: Chorale prelude on "Come, Holy Spirit, Lord God"
- K. Hasse: Chorale prelude on "Come, Holy Spirit, Lord God"
- Kickstat: Pentecost
- Gulbins: Festive Fantasy on "Come, Holy Spirit, Lord God"
- Karow: Chorale prelude on "Come, O Come, Thou Quickening Spirit"
- Dienel: Chorale prelude on "Come, O Come, Thou Quickening Spirit"
- Frenzel: Chorale prelude on "Come, O Come, Thou Quickening Spirit"
- Gulbins: Festive Fantasy on "Come, O Come, Thou Quickening Spirit"
- Forchhammer: Chorale prelude on "We now implore the Holy Spirit"
- Baußnern: Chorale prelude on "We now implore the Holy Spirit"
- Hoyer: Chorale prelude on "We now implore the Holy Spirit", From Op. 57
- Herzog: Pentecost Sonata
- Weyhmann: Chorale prelude on "O Holy Spirit, enter in"
- Gulbins: Pentecost
- Rudnick: Fugue
- M.G. Fischer: Chorale prelude on "O Holy Spirit, O Holy God"
- M.G. Fischer: Chorale prelude on "Come, enter Thine own portal"
- Faißt: Chorale prelude on "Come, enter Thine own portal"
- Wagner: Chorale prelude on "Come, enter Thine own portal"
- Weyhmann: Chorale prelude on "Fountain of all Salvation, we adore Thee", From Op. 23
- Fährmann: Chorale prelude on "Fountain of all Salvation, we adore Thee"
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile of the Autograph
These are hardcover, research-quality reproductions of the original hand-written scores from the composer.
Hardcover
Some publishers print a hardbound, linen-covered version in addition to the standard paperback. The music inside is identical. These editions are beautiful though rarely cheap.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
For chamber pieces, playing scores have all of the parts on one system. There are not separate parts for each player.
Score (Full Score)
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile of the Autograph
These are hardcover, research-quality reproductions of the original hand-written scores from the composer.
Hardcover
Some publishers print a hardbound, linen-covered version in addition to the standard paperback. The music inside is identical. These editions are beautiful though rarely cheap.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
For chamber pieces, playing scores have all of the parts on one system. There are not separate parts for each player.
Score (Full Score)
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.